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After the Fall presents a timely and provocative examination of the impact and implications of 9/11 and the war on terror on American culture and literature.
Presents the first detailed interrogation of U.S. writing in a time of crisis
Develops a timely and provocative arguement about literature and trauma
Relates U.S. writing since 9/11 to crucial social and historical changes in the U.S. and elsewhere
Places U.S. writing in the context of the transformed position of the U.S. in a world characterized by political, economic, and military crisis; transnational drift; the resurgence of religious fundamentalism; and the apparent triumph of global capitalism
There an amazing richness of the material Richard Gray covers in. . . After the Fall: American Literature Since 9/11After the Fall is skillfully structured and convincingly argued. (Hungarian Journal of English and American Studies, 1 October 2014)
"Summing Up: Recommended. Upper–division undergraduates through faculty." (Choice, 1 January 2012)
Acknowledgments ix
1 After the Fall 1
2 Imagining Disaster 21
3 Imagining Crisis 51
4 Imagining the Transnational 85
5 Imagining the Crisis in Drama and Poetry 145
Works Cited 193
Index 211
Richard Gray is Professor of Literature at the University of Essex and former Distinguished Visiting Professor at a number of universities in the United States. He is the first specialist in American literature to be elected a Fellow of the British Academy and has published over a dozen books on the topic, including the award–winning
Writing the South (Ideas of an American Region (1986) and The Life of William Faulkner: A Critical Biography (1994). His
History of American Literature is widely considered to be one of the standard works on the subject.
A common refrain heard since the collapse of the World Trade Center towers on September 11, 2001 is that "everything has changed." After the Fall presents a timely and provocative examination of the impact and implications of 9/11 and the war on terror on American culture and literature. Author Richard Gray –– widely regarded as the leading European scholar in American literature –– reveals the widespread belief among novelists, dramatists, and poets –– as well as the American public at large –– that in the post–9/11 world they are all somehow living "after the fall." He carefully considers how many writers, faced with what they see as the end of their world, have retreated into the seductive pieties of home, hearth, and family; and how their works are informed by the equally seductive myth of American exceptionalism. As a counterbalance, Gray also discusses in depth the many writings that "get it right" –– transitional and genuinely crossbred works that resist the oppositional and simplistic "us and them"/"Christian and Muslim" language that has dominated mainstream commentary. These imaginative works, Gray believes, choose instead to respond to the heterogeneous character of the United States, as well as its necessary positioning in a transnational context. After the Fall offers illuminating insights into the relationships of such issues as nationalism, trauma, culture, and literature during a time of profound crisis.