Chapter 1 Artistic Citizenship, Anatopism and the Elusive Public: Live Art in the City of Cape Town – Nomusa Makhubu
Chapter 2 Upsurge – Sarah Nuttall
Chapter 3 ‘Madam, I Can See Your Penis’: Disruption and Dissonance in the Work of Steven Cohen – Catherine Boulle
Chapter 4 The Impossibility of Curating Live Art – Jay Pather
Part Two: Loss, Language and Embodiment
Chapter 5 Corporeal Her Stories: Navigating Meaning in Chuma Sopotela’s Inkukhu Ibeke Iqanda through the Artist’s Words – Lieketso Dee Mohoto-Wa Thaluki
Chapter 6 A Different Kind of Inhabitance: Invocation and the Politics of Mourning in Performance Work by Tracey Rose and Donna Kukama – Gabrielle Goliath
Chapter 7 State of Emergency: Inkulumo-Mpendulwano (Dialogue) of Emergent Art When Ukukhuluma (Talking) is Not Enough – Nondumiso Lwazi Msimanga
Chapter 8 Space is the Place and Place is Time: Refiguring the Black Female Body as a Political Site in Performance – Same Mdluli Part Three: Rethinking the Archive, Reinterpreting Gesture
Chapter 9 don’t get it twisted: queer performativity and the emptying out of gesture – Bettina Malcomess
Chapter 10 Performing the Queer Archive: Strategies of Self-Styling on Instagram – Katlego Disemelo
Chapter 11 Effigy in the Archive: Ritualising Performance and the Dead in Contemporary South African Live Art Practice – Alan Parker
Part Four: Suppressed Histories and Speculative Futures
Chapter 12 To Heal a Nation: Performance and Memorialisation in the Zone of Nonbeing – Khwezi Gule