A Thickness of Particulars: The Poetry of Anthony Hecht

ISBN-13: 9780199660711 / Angielski / Twarda / 2016 / 288 str.

Jonathan Post

Opis

A Thickness of Particulars: The Poetry of Anthony Hecht is the first book-length study of one of the great formal poets of the later twentieth century (1923-2004). Making use of Hecht's correspondence, which the author edited, the volume situates Hecht's writings in the context of pre- and post-World War II verse, including poetry written by W. H. Auden, Elizabeth Bishop, Robert Lowell, James Merrill, and Richard Wilbur. In nine chapters, the book ranges over Hecht's full career, with special emphasis placed on the effects of the war on his memory; Hecht participated in the final push by the Allied troops in Europe and was involved in the liberation of the Flossenburg Concentration Camp. The study explores the important place Venice and Italy occupied in his imagination as well as the significance of the visual and dramatic arts and music more generally. Chapters are devoted to analyzing celebrated individual poems, such as -The Book of Yolek- and -The Venetian Vespers, - the making of particular volumes, such as the Pulitzer-prize-winning The Hard Hours, the poet's mid-career turn toward writing dramatic monologues and longer narrative poems, such as -Green, an Epistle, - -The Grapes, - and -See Naples and Die, - the inspiring use he made of Shakespeare, especially in -A Love for Four Voices, - his delightful riff on A Mid-summer Night's Dream, and his collaboration with the artist Leonard Baskin in the Presumptions of Death series. The book seeks to unfold the itinerary of a highly-civilized mind brooding, with wit, over the dark landscape of the later twentieth century in poems of unrivalled beauty.

Recenzje

Jonathan S.F. Post approaches Anthony Hecht's varied oeuvre with a combination of meticulousness and vision. A scholarly humility, paired with a willingness to venture broader claims about Hecht's poetic evolution, makes A Thickness of Particulars not just essential criticism of Hecht's work (not to mention the first comprehensive study), but an elegant illustration of how careful close readings are not just compatible with - but are indispensable to - acts of interpretive imagination. Emily Leithauser, Literary Matters

O autorze

Jonathan Post is Distinguished Professor of English at UCLA and teaches and writes primarily on early modern and modern and contemporary poetry. He received his Ph.D. at the University of Rochester, studying primarily under Joseph Summers and Anthony Hecht. His interests include art, music, and literature. He was Chair of the UCLA English Department from 1990-1993, and has served several times as interim dean of Humanities. He has held fellowships from the National Endowment of the Humanities, The Folger Shakespeare Library, The John Simon Guggenheim Memorial Foundation, and The Bogliasco Foundation.