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A Philosophy of Ambient Sound: Materiality, Technology, Art and the Sonic Environment

ISBN-13: 9789819917549 / Angielski

Ulrik Schmidt
A Philosophy of Ambient Sound: Materiality, Technology, Art and the Sonic Environment Ulrik Schmidt 9789819917549 Palgrave MacMillan - książkaWidoczna okładka, to zdjęcie poglądowe, a rzeczywista szata graficzna może różnić się od prezentowanej.

A Philosophy of Ambient Sound: Materiality, Technology, Art and the Sonic Environment

ISBN-13: 9789819917549 / Angielski

Ulrik Schmidt
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This bookpresents the first book-length study of ambient sound as a key issue in sound studies and sonic philosophy. Taking a broad, media-philosophical approach, it explores ambient sound as a basic dimension of the sonic environment, sonic technologies, sonic arts and the material staging of listening.Through analyses of key concepts such as surroundability, mediatization, immanence, synthetization and continuous variation, the book elucidates how ambient aspects of sound influence our conceptions of what sound is and how it affects us by exposing sound’s relation to basic categories such as space, time, environment, medium and materiality. It also illuminates how the strategic production of ambient sound constitutes a leading aesthetic paradigm that has been a decisive factor in the shaping of the modern sonic environment – from key developments in experimental and popular music, sound art and cinematic sound design to the architectural-technological construction of listening spaces in concert halls and theaters and in current streaming infrastructures, digital surround sound and the everyday aesthetics of headphone listening.

This book presents the first book-length study of ambient sound as a key issue in sound studies and sonic philosophy. Taking a broad, media-philosophical approach, it explores ambient sound as a basic dimension of the sonic environment, sonic technologies, sonic arts and the material staging of listening.Through analyses of key concepts such as surroundability, mediatization, immanence, synthetization and continuous variation, the book elucidates how ambient aspects of sound influence our conceptions of what sound is and how it affects us by exposing sound’s relation to basic categories such as space, time, environment, medium and materiality. It also illuminates how the strategic production of ambient sound constitutes a leading aesthetic paradigm that has been a decisive factor in the shaping of the modern sonic environment – from key developments in experimental and popular music, sound art and cinematic sound design to the architectural-technological construction of listening spaces in concert halls and theaters and in current streaming infrastructures, digital surround sound and the everyday aesthetics of headphone listening.

Kategorie:
Nauka, Socjologia i społeczeństwo
Kategorie BISAC:
Social Science > Socjologia
Music > General
Social Science > Sociology of Religion
Wydawca:
Palgrave MacMillan
Seria wydawnicza:
Palgrave Studies in Sound
Język:
Angielski
ISBN-13:
9789819917549

Introduction.- PART 1: FIELDS.- Effects of Being-in.- Environmental and Surrounding Sounds.- Field Effects.- PART 2: STRATEGIES.- Sonic Mediatization.- Synthetic Strategies.- Ambient Sound Design.- PART 3: FRAMES.- Staging Ambient Listening.- Architectures of Acoustic Immanence.- Amplified Surrounds.- Mobile Infrastructures of Everyday Listening.- Epilogue. Generic, Inattentive, Asocial.

Ulrik Schmidt is Associate Professor in media and communication at Roskilde University, Denmark. Working in the intersection between sound studies, media philosophy, contemporary art and audiovisual aesthetics, he explores the material, technological and environmental conditions for communication, art and the production of subjectivity in modern and contemporary culture.

This book presents the first book-length study of ambient sound as a key issue in sound studies and sonic philosophy. Taking a broad, media-philosophical approach, it explores ambient sound as a basic dimension of the sonic environment, sonic technologies, sonic arts and the material staging of listening.


Through analyses of key concepts such as surroundability, mediatization, immanence, synthetization and continuous variation, the book elucidates how ambient aspects of sound influence our conceptions of what sound is and how it affects us by exposing sound’s relation to basic categories such as space, time, environment, medium and materiality. It also illuminates how the strategic production of ambient sound constitutes a leading aesthetic paradigm that has been a decisive factor in the shaping of the modern sonic environment – from key developments in experimental and popular music, sound art and cinematic sound design to the architectural-technological construction of listening spaces in concert halls and theaters and in current streaming infrastructures, digital surround sound and the everyday aesthetics of headphone listening.



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