A Natural History of Pragmatism: The Fact of Feeling from Jonathan Edwards to Gertrude Stein

ISBN-13: 9780521694506 / Angielski / Miękka / 2006 / 346 str.

Joan Richardson

Opis

Joan Richardson provides a fascinating and compelling account of the emergence of the quintessential American philosophy: pragmatism. She demonstrates pragmatism's engagement with various branches of the natural sciences and traces the development of Jamesian pragmatism from the late nineteenth century through modernism, following its pointings into the present. Richardson combines strands from America's religious experience with scientific information to offer interpretations that break new ground in literary and cultural history. This book exemplifies the value of interdisciplinary approaches to producing literary criticism. In a series of highly original readings of Edwards, Emerson, William and Henry James, Stevens, and Stein, A Natural History of Pragmatism tracks the interplay of religious motive, scientific speculation, and literature in shaping an American aesthetic. Wide-ranging and bold, this groundbreaking book will be essential reading for all students and scholars of American literature.

Recenzje

'With impressive intellectual range and literary finesse, Joan Richardson's A Natural History of Pragmatism proposes that the evolution of Pragmatism - out of the settlers' religion and the experience of the new continent and out of the Darwinian event - into the dominant philosophy of the new nation exemplifies the evolutionary development of thinking within Pragmatism itself. Even one who sees an Emersonian current in American thinking that rather contests than confirms the pragmatist progression recognizes that Richardson's deployment of her material by reference to evolutionary biology and neuroscience presents a formidable charge against this oppositional sense of our philosophical temperament.' Stanley Cavell

Spis treści

1. Introduction: frontier instances; 2. In Jonathan Edwards's room of the idea; 3. Emerson's moving pictures; 4. William James's feeling of if; 5. Henry James's more than rational distortion; 6. Wallace Stevens's radiant and productive atmosphere; 7. Gertrude Stein, James's Melancthon/a; Bibliography; Index.