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The Companion to the Victorian Novel provides contextual and critical information about the entire range of British fiction published between 1837 and 1901.
Provides contextual and critical information about the entire range of British fiction published during the Victorian period.
Explains issues such as Victorian religions, class structure, and Darwinism to those who are unfamiliar with them.
Comprises original, accessible chapters written by renowned and emerging scholars in the field of Victorian studies.
Ideal for students and researchers seeking up-to-the-minute coverage of contexts and trends, or as a starting point for a survey course.
"These are wonderful essays [...] written by important scholars in the field. [...]Highly recommended."
Choice
"another Blackwell reference work of prodigious proportions [...] by a galaxy of distinguished scholars [...] indispensable for any comprehensive reference library, destined indeed to be of permanent value and importance for many years to come." Reference Reviews
Acknowledgments viii
The Contributors ix
Introduction 1 Patrick Brantlinger and William B. Thesing
PART I Historical Contexts and Cultural Issues 9
1 The Publishing World 11 Kelly J. Mays
2 Education, Literacy, and the Victorian Reader 31 Jonathan Rose
3 Money, the Economy, and Social Class 48 Regenia Gagnier
4 Victorian Psychology 67 Athena Vrettos
5 Empire, Race, and the Victorian Novel 84 Deirdre David
6 The Victorian Novel and Religion 101 Hilary Fraser
7 Scientific Ascendancy 119 John Kucich
8 Technology and Information: Accelerating Developments 137 Christopher Keep
9 Laws, the Legal World, and Politics 155 John R. Reed
10 Gender Politics and Women s Rights 172 Hilary M. Schor
11 The Other Arts: Victorian Visual Culture 189 Jeffrey Spear
12 Imagined Audiences: The Novelist and the Stage 207 Renata Kobetts Miller
PART II Forms of the Victorian Novel 225
13 Newgate Novel to Detective Fiction 227 F. S. Schwarzbach
14 The Historical Novel 244 John Bowen
15 The Sensation Novel 260 Winifred Hughes
16 The Bildungsroman 279 John R. Maynard
17 The Gothic Romance in the Victorian Period 302 Cannon Schmitt
18 The Provincial or Regional Novel 318 Ian Duncan
19 Industrial and Condition of England Novels 336 James Richard Simmons, Jr.
20 Children s Fiction 353 Lewis C. Roberts
21 Victorian Science Fiction 370 Patrick Brantlinger
PART III Victorian and Modern Theories of the Novel and the Reception of Novels and Novelists Then and Now 385
22 The Receptions of Charlotte Brontë, Charles Dickens, George Eliot, and Thomas Hardy 387 Elizabeth Langland
23 Victorian Theories of the Novel 406 Joseph W. Childers
24 Modern and Postmodern Theories of Prose Fiction 424 Audrey Jaffe
25 The Afterlife of the Victorian Novel: Novels about Novels 442 Anne Humpherys
26 The Victorian Novel in Film and on Television 458 Joss Marsh and Kamilla Elliott
Index 478
Patrick Brantlinger is Rudy Professor of English at Indiana University, Bloomington. He is the author of
The Reading Lesson: The Threat of Mass Literacy in Nineteenth–Century British Fiction (1998),
Fictions of State: Culture and Credit in Britain 1694 1994 (1996),
Rule of Darkness: British Literature and Imperialism 1830 1914 (1990), and
Crusoe s Footprints: Cultural Studies in Britain and America (1990).
William B. Thesing is Professor of English at the University of South Carolina, Columbia. He is the author of The London Muse: Victorian Poetic Responses to the City (1982) and the editor of five volumes in Gale s Dictionary of Literary Biography: Victorian Prose Writers before 1867 (1986), Victorian Prose Writers after 1867 (1987), Victorian Women Poets (1998), British Short–Fiction Writers, 1880 1914: The Realist Tradition (1994), and Late Nineteenth– and Early Twentieth–Century British Women Poets (2001). He recently edited Caverns of Night: Coal Mines in Art, Literature, and Film (2000).
It is estimated that between 1837 and 1901 some 60,000 novels were published in Britain. This
Companion introduces readers to the historical contexts in which this vast range of fiction was produced and to the critical debates that have raged about it ever since.
The Companion comprises twenty–six original, accessible chapters, written by renowned and emerging scholars in the field of Victorian studies. The first section provides overviews of key historical contexts, such as religion, class, gender, and the publishing world. The second part surveys the various genres and subgenres of the Victorian novel. The third deals with Victorian, modern, and postmodern theories of the novel and looks at how Victorian novels and novelists were received, both now and then.
A detailed and convenient index enables cross–referencing and study of a broad spectrum of authors, novels, themes, and controversies, while informed bibliographies following each chapter contain many helpful recommendations for further reading.