Overall, Tyler s and Plantzos s Companion to Greek Art offers a great many useful essays, which will, I am sure, be a regular point of reference for students and scholars in the field. (Bryn Mawr Classical Review, 27 February 2013)
Volume I
List of Illustrations ix
List of Color Plates xix
List of Maps xxi
Notes on Contributors xxii
Preface xxvii
PART I Introduction 1
1. The Greeks and their Art 3 Tyler Jo Smith and Dimitris Plantzos
PART II Forms, Times, and Places 15
2. Chronology and Topography 17 Nicki Waugh
3. Greek Decorated Pottery I: Athenian Vase–painting 39 Thomas Mannack
4. Greek Decorated Pottery II: Regions and Workshops 62 Stavros A. Paspalas
5. Free–standing and Relief Sculpture 105 Dimitris Damaskos
6. Architecture in City and Sanctuary 132 Marina Yeroulanou
7. Architectural Sculpture 153 Olga Palagia
8. Wall– and Panel–painting 171 Dimitris Plantzos
9. Mosaics 186 Ruth Westgate
10. Luxury Arts 200 John Boardman and Claudia Wagner
11. Terracottas 221 Lucilla Burn
12. Coinages 235 François de Callataÿ
13. Workshops and Technology 255 Eleni Hasaki
14. Ancient Writers on Art 273 Kenneth Lapatin
PART III Contacts and Colonies 291
15. Egypt and North Africa 293 Sabine Weber
16. Cyprus and the Near East 312 Tamar Hodos
17. Asia Minor 330 Veli Köse
18. The Black Sea 350 Jan Bouzek
19. Sicily and South Italy 369 Clemente Marconi
Volume II
List of Illustrations ix
Notes on Contributors xvii
PART IV Images and Meanings 397
20. Olympian Gods at Home and Abroad 399 H.A. Shapiro
21. Politics and Society 414 Eleni Manakidou
22. Personification: Not Just a Symbolic Mode 440 Amy C. Smith
23. The Non–Greek in Greek Art 456 Beth Cohen
24. Birth, Marriage, and Death 480 John H. Oakley
25. Age, Gender, and Social Identity 498 Jenifer Neils
26. Sex, Gender, and Sexuality 510 Timothy J. McNiven
27. Drinking and Dining 525 Kathleen M. Lynch
28. Competition, Festival, and Performance 543 Tyler Jo Smith
29. Figuring Religious Ritual 564 François Lissarrague
30. Agency in Greek Art 579 James Whitley
PART V Greek Art: Ancient to Antique 597
31. Greek Art through Roman Eyes 599 Michael Squire
32. Greek Art in Late Antiquity and Byzantium 621 Anthony Kaldellis
33. The Antique Legacy from the Middle Ages to the Enlightenment 633 Jill Johnson Deupi
34. Greek Art and the Grand Tour 649 Sue Blundell
35. Myth and the Ideal in 20th c. Exhibitions of Classical Art 667 Delia Tzortzaki
36. The Cultural Property Debate 683 Stelios Lekakis
37. Greek Art at University, 19th 20th c. 698 Stephen L. Dyson
38. Surveying the Scholarship 711 Lucie Wall Stylianopoulos
Bibliography 723
Index 817
Tyler Jo Smith is Associate Professor of Classical Art and Archaeology at the University of Virginia, and a Fellow of the Society of Antiquaries of London. She is the author of
Komast Dancers in Archaic Greek Art (2010).
Dimitris Plantzos is Assistant Professor of Classical Archaeology at the University of Ioannina, Greece. He is the author of Hellenistic Engraved Gems (1999).
This well–illustrated two–volume set offers a comprehensive, authoritative account of the development of Greek art through the 1st millennium BC. While there is no shortage of introductory handbooks on Greek art, the current publication takes a fresh look at the many facets of the subject, from the basic forms, materials, and types, to colonization, iconography, and finally the reception of Greek art in post–classical periods.
A Companion to Greek Art is a collaborative effort joining scholars of various nationalities and specializations. The chapter authors are foremost experts in their field, and, being drawn from the ranks of university lecturers and professors, museum curators and field archaeologists, they offer unique perspectives to the collection. As a result, this is an unbiased and inclusive representation of the state of the discipline and the current ways it is being examined by scholars all over the world.
A Companion to Greek Art presents a nuanced portrait of the development of Greek art, through a narrative that is factually oriented and technically detailed, as well as thematic, contextual, and historiographical.