Digital Echoes: Spaces for Intangible and Performance-Based Cultural Heritage

ISBN-13: 9783319738161 / Angielski / Twarda / 2018 / 342 str.

Sarah Whatley; Rosamaria Cisneros; Amalia Sabiescu

Opis

This book explores the interplay between performing arts, intangible cultural heritage and digital environments through a compendium of essays on emerging practices and case studies, as well as critical, historical and theoretical perspectives.

Spis treści

​1 Introduction 

Sarah Whatley, Rosamaria K. Cisneros, and Amalia Sabiescu

Part I Critical and Reflexive Engagements 

2 Considering the Relationship Between Digitally Mediated

Audience Engagement and the Dance-Making Process 

Laura Griffiths and Ben Walmsley

3 Performing the Uncanny: Psychoanalysis, Aesthetics

and the Digital Double 

Suparna Banerjee

4 The Implications of Technology in Dance: A Dancer’s

Perspective of Moving in Media-Rich

Environments 

Kerry Francksen

Part II Space, Time and Memory: Digital Interventions 

5 Bark and Butterflies: Redeeming the Past—Digital

Interventions into Post-Memory 

Adrian Palka

6 Chorotopical Art: Mediating the Atmospheres of Cultural

Sites to Create a New Spatial Logic 

Liana Psarologaki

7 (Ukulele) Strings of Knowledge: Tactile and Digital

Interactivity with Archives and Ethnography 

Rachel M. Ward and Kate Hennessy

8 Open State: Event Spaces of Infinite Perspective 

Adam Benjamin and Mathew Emmett

Part III Preserving the Intangible: New Tools and

Documentation Strategies 

9 Demystifying or Destroying? Cultural Heritage

and Tradition in Playing the Tabla, and Developing

the Electronic Tabla and Digital Notation System 

Jerri Daboo

10 Digital Environments for Intercultural Content: A Case

Study on the Asian Shakespeare Intercultural Archive 

Alvin Eng Hui Lim

11 Mediating and Visualizing Paxton’s Material for

the Spine 

Rebecca Stancliffe

12 In/Tangible: The Duality of Video Documentation

in Dance 

Heather Young Reed

13 Kapturing Kung Fu: Future Proofing the Hong Kong

Martial Arts Living Archive 

Hing Chao, Matt Delbridge, Sarah Kenderdine,

Lydia Nicholson, and Jeffrey Shaw

Part IV Authorship, Ownership and Legal Aspects 

14 Presenting the Intangible: Curating the Intangible

Cultural Heritage in the Museum Practice—Legal Aspects 

Teodora Konach

15 Artworks-Spawning-Artworks: Trans-Disciplinary

Approaches to Artistic Spin-Offs and Evolution

in the Dance and Digital Context 

Jordan Beth Vincent, Caitlin Vincent, Kim Vincs,

Scott deLahunta, and John McCormick

16 Preservation and Paradox: Choreographic Authorship

in the Digital Sphere 

Hetty Blades

17 Dance and Law: From Indifference to Rapport 

Charlotte Waelde

Index 

O autorze

Sarah Whatley is Professor of Dance and Director of the Centre for Dance Research at Coventry University, UK.

Rosamaria K. Cisneros is Senior Research Associate at the Centre for Dance Research at Coventry University, UK, and also an independent artist, film-maker, dancer and choreographer. 

Amalia Sabiescu is Communications Researcher at the Institute for Media and Creative Industries at Loughborough University London, UK.

Blurb

This book explores the interplay between performing arts, intangible cultural heritage and digital environments through a compendium of essays on emerging practices and case studies, as well as critical, historical and theoretical perspectives. It features essays that engage with varied forms of intangible cultural heritage, from music and storytelling to dance, theatre and martial arts. Cases of digital technology interventions are provided from different geographical and cultural settings, from Europe to Asia and the Americas. Together, the collection reflects on the implications that digital interventions have on intangible cultural heritage engagements, its curation and transmission in diverse localities. The volume is a valuable resource for discovering the multiple ways in which cultural heritage is mediated through digital technologies, and engages with audiences, artists, users and researchers.