"This is interdisciplinary research at its best: an art-historical approach with emphasis on historical documentation, on interpretation of narrative and style and an archaeological approach to the artifact itself, its material quality and technical execution, as a point of departure for appreciating every aspect of the process of transforming the raw material of marble into memory. The book is beautifully produced with excellent new photographs by Russell Scott as well as diagrams of the distribution of the panels in the Hall of Heroes and fold-out illustrations of the frieze in its entirety." Jane Fejfer in: The Burlington Magazine, 2021/11
***
"But what really stands out in the analysis is the 'unconditional collaboration' (5) between an art historian and a classical archaeologist: on the one hand, the project showcases how a broader art-historical training can enrich the traditional sorts of questions posed by classical archaeology, especially when it comes to issues of pictorial narrative; on the other, it demonstrates what classical archaeological formalism can offer to contemporary art history, and indeed larger debates about cultural history and contemporary identity politics. The result will be essential reading for anyone concerned with the legacy of classical ideas and imagery in South Africa." Michael Squire in: Greece & Rome, 2022/1
Rolf M. Schneider, LMU Munich, Germany; Elizabeth Rankin, University of Auckland, New Zealand.