Vorwort - An den Schüler - Teil 1: - Umfang von zwei Oktaven, Taktwechsel innerhalb einiger Stücke - Teil 2: - Ausdehnung des Umfangs bis zum d3, Achtelnoten auf unbetonte Zählzeiten, Triolen und Sechzehntelpausen - Teil 3: - Erweiterung des Umfangs bis zum f3, Swing-Rhythmen und neue Taktarten: 5/8, 7/8 und 8/8 - Teil 4: - Erweiterung des Umfangs bis zum g3, Verzierungen, chromatische Muster - Teil 5: - Wiederholung aller bisher gelernten Tonarten, Ganzton- und chromatische Muster, Kirchentonarten, Thriller, Doppelschläge und Mordente
John Kember studied at Trinity College of Music, London and has enjoyed a varied career in both performing and academic spheres, ranging from teaching in schools and privately, to working as composer, arranger, pianist and conductor in Concert Halls, theatres and recording studios. Currently John is working on a number of new and exciting projects for both publication and performance. He has a busy private teaching practice in south east London and teaches for Kent Music School and the Kent Centre for Young Instrumentalists in Maidstone. John was an examiner for the Associated Board of the Royal Schools of Music from 1989 until 2005.