Preface to the 2022 edition
Preface to the 2009 Edition
Preface to the 1968 Edition
Introduction (updated): Sixty Years of the French New Wave
1. The politique des auteurs: foundational texts
The Birth of a New Avant-Garde: La Caméra-Stylo ALEXANDRE ASTRUC
A Certain Tendency in French Cinema FRANÇOIS TRUFFAUT
The Evolution of Film Language ANDRÉ BAZIN
La Politique des auteurs ANDRÉ BAZIN
2. Critical debates: authorship and mise-en-scène
The Delights of Ambiguity: In Praise of André Bazin GÉRARD GOZLAN
Little Themes CLAUDE CHABROL.
Review of Alexandre Astruc’s Une vie JEAN-LUC GODARD.
The Emperor Has No Clothes ROBERT BENAYOUN.
Interview with François Truffaut CAHIERS DU CINÉMA.
3. Authorship-mise-en-scène Case Study: the reception of A bout de souffle
Contrasting Views of A bout de souffle: Jean-Luc Godard LUC MOULLET . A bout de souffle RAYMONDE BORDE . Le Quai des brumes 1960: A bout de souffle by Jean-Luc Godard GEORGES SADOUL.
4. Critical debates: The Missing Perspective, gender and politics
Identikit of the ‘New Wave’ heroine EVELYNE SULLEROT
Goodnight, Doctor Kinsey PIERRE KAST
Three texts by MICHÈLE FIRK
Hiroshima mon amour, the heart and the mind FRANÇOISE AUDÉ
5. Gender Case study: the reception of Agnès Varda
MONOD: La Pointe courte; SADOUL: Cleo de 5 a 7; BORY: Cleo de 5 a 7
Bibliography (updated)
Index (updated)