ISBN-13: 9781593937324 / Angielski / Miękka / 2013 / 288 str.
ISBN-13: 9781593937324 / Angielski / Miękka / 2013 / 288 str.
"When numerous critics have all pointed to the stunning mastery of dialogue evinced in Sade's] novels, to say nothing of the truly theatrical disposition of many of the scenes―erotic or otherwise―this would seem to be linked to the theatrical obsession that persisted so disturbingly throughout his tempestuous existence. Shouldn't we therefore look more closely at this theatre...?" - Annie Le Brun In commemoration of the two hundred years that have passed since the death of the Marquis de Sade in 1814, the three-volume series, Rape, Incest, Murder The Marquis de Sade on Stage, offers English translations of all of Sade's writings, for and about the theatre, with introductions that contextualize Sade's work within the theatrical climate of eighteenth-century France. Volume 1 presents Sade's earliest theatrical efforts, ranging from occasional verse, written to accompany the plays of other authors, to his first attempts at comedy and a newly developing bourgeois tragedy called the drame. The violence and eroticism of Sade's infamous novels are present in the plays, though in a lower dosage, obviously to render them accessible to public performance rather than private reading. " I]t is at the theatre rather than somewhere else that we must revive the almost extinguished flame of the love that every Frenchman owes his country; there is where he'll be convinced of the dangers that would exist for him should he fall back into the hands of tyranny. He'll carry home the enthusiasm and teach it to his family and its effects will be so much more durable, so much more passionate than the momentary inspirations of a newspaper article or proclamation because at the theatre, he learns the lesson by example, and he remembers it." - The Marquis de Sade
"When numerous critics have all pointed to the stunning mastery of dialogueevinced in [Sades] novels, to say nothing of the truly theatricaldisposition of many of the scenes―erotic or otherwise―this would seem to belinked to the theatrical obsession that persisted so disturbingly throughouthis tempestuous existence. Shouldnt we therefore look more closely at thistheatre...?"- Annie Le BrunIn commemoration of the two hundred years that have passed since the deathof the Marquis de Sade in 1814, the three-volume series, Rape, Incest,Murder! The Marquis de Sade on Stage, offers English translations of all ofSades writings, for and about the theatre, with introductions that contextualize Sades work within the theatrical climate of eighteenth-century France.Volume 1 presents Sades earliest theatrical efforts, ranging from occasional verse, written to accompany the plays of other authors, to his first attempts at comedy and a newly developing bourgeois tragedy called the drame. The violence and eroticism of Sades infamous novels are present in the plays, though in a lower dosage, obviously to render them accessible to public performance rather than private reading."[I]t is at the theatre rather than somewhere else that we must revive thealmost extinguished flame of the love that every Frenchman owes his country;there is where hell be convinced of the dangers that would exist for himshould he fall back into the hands of tyranny. Hell carry home theenthusiasm and teach it to his family and its effects will be so much moredurable, so much more passionate than the momentary inspirations of anewspaper article or proclamation because at the theatre, he learns thelesson by example, and he remembers it."- The Marquis de Sade