Chronology; Primary Sources And Abbreviations; Introduction; The Case Of Wagner; The Case Of Wagner; Chapter 1 Artwork Of The Future: A Prelude To The Philosophy Of The Future; I. Artwork Of The Future; II. ‘Athenian Self-Dissection’ And The Decline Of Culture At The Hands Of Science; III. Science, Redeemed By Her Defeat, Reaches Out To Her Acknowledged Victor: Art; IV. Vitalism And Art; V. The Birth Of Tragedy And The ‘Music-Making Socrates’; VI. Socrates, Make Music!; VII. Knocking At The Portals Of The Present And The Future; VIII. We Must Now Consider Similar Phenomena In The Present; Chapter 2 The Pessimism Of Strength: An Attempt To Revise The Socratic And Tragic Cultures; I. The Essence Of Tragic Culture; II. An Attempt To Self-Criticize; III. To ‘Make Music’ From The Materials Of Life; IV. The Twilight Of An Idol; V. The Uniting And Dividing Point Of Two Cultures; Chapter 3 Music In The Microcosm And The Macrocosm; I. Becoming The Legitimate Heir And Successor To The Pre-Socratics; II. Human, All-Too-Human And The Beginning Of Nietzsche’s Post-Wagnerian Confrontation; III. Dawn On The Horizon; IV. The Gay Science; V. Beyond Good And Evil: Prelude To A Philosophy Of The Future; VI. Ecce Homo; Chapter 4 Music As The Late Fruit Of Every Culture; I. The Case Of Wagner; II. The Preface; III. The Charges; IV. Sections 1 – 2; V. Section 3; VI. Sections 4 – 5; VII. Section 6; VIII. Sections 7 – 8; Ix. Sections 9 – 10; X. Sections 11 – 12; Chapter 5 The Case Of Nietzsche Or: How To Become More Wagnerian Than Wagner; I. First Postscript; II. Second Postscript And Epilogue; Chapter 6 Conclusion; I. Coming Full Circle; II. A Dangerous Game; Glossary of Key Terms; Guide to Further Reading; Bibliography; Notes; Index.