Acknowledgments; List of Illustrations; Introduction: Matthew J. Smith and Julia Reinhard Lupton; I. Foundational Face Work; 1. Outface and Interface, Bruce R. Smith; 2. “Everybody’s Somebody’s Fool”: Folie à Deux in Shakespeare’s Love Duets, Lawrence Manley; 3. The Course of Recognition in Cymbeline, Matthew J. Smith; II. Composing Intimacy and Conflict; 4. Face to Face, Hand to Hand: Relations of Exchange in Hamlet, Emily Shortslef; 5. Bed Tricks and Fantasies of Facelessness, Devin Byker; III. Facing Judgment; 6. The Face of Judgment in Measure for Measure, Kevin Curran; 7. Then Face to Face: Timing Trust in Macbeth, Jennifer Waldron; IV. Moving Pictures; 8. The Man of Sorrows: Edgar's Disguise and Dürer's self-portraits, Hanna Scolnicov; 9. The Face as Rhetorical Self in Ben Jonson’s literature, Akihiko Shimizu; 10. Hamlet’s Face, W. B. Worthen; Afterword: “Theater and Speculation” William N. West; Index.