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During the 20th-century more people spoke English and more people wrote poetry than in the whole of previous history. Blackwell's companion strives to make sense of this crowded poetical era.
"Roberts has brought together an extraordinary collection of 48 engagingly written and informative essays. This reviewer is aware of no other volume covering the full range of English–language poetry in the twentieth century. Recommended for all collections, this title will be a welcome reference and guide for undergraduate students and useful for specialists."
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Acknowledgements ix
Notes on Contributors xi
Introduction 1 Neil Roberts
PART I Topics and Debates
1 Modernism and the Transatlantic Connection 7 Hugh Witemeyer
2 Modernist Poetry and its Precursors 21 Peter Brooker and Simon Perril
3 The Non–modernist Modern 37 David Goldie
4 Poetry and Politics 51 Reed Way Dasenbrock
5 Poetry and War 64 Matthew Campbell
6 Poetry and Science 76 Tim Armstrong
7 Poetry and Literary Theory 89 Joanne Feit Diehl
8 Poetry and Gender 101 Edward Larrissy
9 Interrupted Monologue: Alternative Poets of the Mid–century 113 Philip Hobsbaum
PART II Poetic Movements
10 Imagism 127 Jacob Korg
11 The New Negro Renaissance 138 William W. Cook
12 Poetry and the New Criticism 153 Stephen Burt and Jennifer Lewin
13 Black Mountain and Projective Verse 168 John Osborne
14 The Beats 183 John Osborne
15 Confessionalism 197 Lucy Collins
16 The Movement 209 Stephen Regan
17 Language Poetry 220 Simon Perril
PART III International and Postcolonial Poetry in English
18 West Indian Poetry 235 Victor Chang
19 African Poetry 249 Kwadwo Osei–Nyame
20 Poetry of the Indian Subcontinent 264 Vinay Dharwadker
21 Australian Poetry 281 Livio Dobrez
22 New Zealand Poetry 293 Terry Sturm
23 Canadian Poetry 304 Cynthia Messenger
24 Scottish Poetry 318 Jeffrey Skoblow
25 Welsh Poetry 329 Douglas Houston
26 Irish Poetry to 1966 343 Alex Davis
PART IV Readings
27 Thomas Hardy: Poems of 1912–13 359 Tim Armstrong
28 Robert Frost: North of Boston 369 Alex Calder
29 T. S. Eliot: The Waste Land 381 John Haffenden
30 D. H. Lawrence: Birds, Beasts and Flowers 392 David Ellis
31 William Carlos Williams: Spring and All 403 Lisa M. Steinman
32 Wallace Stevens: Harmonium 414 Philip Hobsbaum
33 Marianne Moore: Observations 427 Elizabeth Wilson
34 W. B. Yeats: The Tower 437 Terence Brown
35 W. H. Auden: Poems 448 Peter McDonald
36 Elizabeth Bishop: North & South 457 Jonathan Ellis
37 Ezra Pound: The Pisan Cantos 469 A. David Moody
38 Robert Lowell: Life Studies 481 Stephen Matterson
39 Louis MacNeice: The Burning Perch 491 Peter McDonald
40 Sylvia Plath: Ariel 500 Sue Vice
41 Ted Hughes: Crow 513 Rand Brandes
42 Seamus Heaney: North 524 Bernard O’Donoghue
43 John Ashbery: Self–Portrait in a Convex Mirror 536 David Herd
Neil Roberts is Professor of English Literature at Sheffield University. He has been a visiting professor at the University of New Mexico and also Chuo University in Japan. His publications on a wide range of contemporary poets, as well as on George Meredith and D.H Lawrence and Bakhtin, include
Narrative and Voice in Postwar Poetry (1999).
In the twentieth century more people spoke English and more people wrote poetry than in the whole of previous history, and this
Companion strives to make sense of this crowded poetical era. The original contributions by leading international scholars and practising poets were written as the contributors adjusted to the idea that the possibilities of twentieth–century poetry were exhausted and finite. However, the volume also looks forward to the poetry and readings that the new century will bring.
The Companion embraces the extraordinary development of poetry over the century in twenty English–speaking countries; a century which began with a bipolar transatlantic connection in modernism and ended with the decentred heterogeneity of post–colonialism. Representation of the ′canonical′ and the ′marginal′ is therefore balanced, including the full integration of women poets and feminist approaches and the in–depth treatment of post–colonial poets from various national traditions. Discussion of context, intertextualities and formal approaches illustrates the increasing self–consciousness and self–reflexivity of the period, whilst a ′Readings′ section offers new readings of key selected texts. The volume as a whole offers critical and contextual coverage of the full range of English–language poetry in the last century.