Series Editors’ Introduction
Introduction
Part I: Impasse
1. Feel-Bad Postfeminism in Gillian Flynn’s Gone Girl
2. Postfeminist Impasse and Cruel Optimism in Lena Dunham’s Girls
3. ‘Being without a cliché to hold onto can be a lonely experience’: Generic Isolation in Appropriate BehaviourPart II: Resilience
4. Suffering, Resilience and Defiance in The Hunger Games
5. Relationality and Transformation in Girlhood
6. Feel-Bad Femininity in Catch Me Daddy
Conclusion
References
Index