Contributor bios
Acknowledgments
Introduction by Mike Dines & Georgina Gregory
Chapter 1: Beatified Beats, Ritualized Rhymes: Intersections of the Popular and the Sacred in Music by Antti-Ville Kärjä
Section One: Personal Spirituality
Chapter 2: Leonard Cohen, the ‘Sufi’ Mystic by Jirí Mesíc
Chapter 3: Hank and Jesus: The Integral Roles of Religion and the History of Country Music in the Lives and Careers of Contemporary Country Artists by Gillian Kelly
Chapter 4: Above the Clouds: Discourses of the Spiritual and the Religious in the Lyrics of Paul Weller by Paul Spicer
Section Two: Christianity
Chapter 5: ‘Embracing the Divine Chaos’: Transcending the Sacred-Secular Divide in the 1990s British Rave Church Movement by Lucy Robinson & Chris Warne
Chapter 6: Pop Goes to Church: Taste, Class and ‘Chav’ Christianity by Georgina Gregory
Chapter 7: ‘The Time Has Come, Exodus!’: Congo Natty and the Jungle (r)evolution by Shara Rambarran
Chapter 8: ‘Between Hipsters and God There is Sufjan Stevens’: Sufjan Stevens & His Fans by Katelyn Medic
Section Three: Alternative Religions
Chapter 9: ‘Save my soul from the poisons of this world’: Straight Edge punk and Religious Re-Enchantment by Francis Stewart
Chapter 10: ‘Message From Thee Temple’: Magick, Occultism, Mysticism and Psychic TV
by Mike Dines and Matt Grimes
Chapter 11: I am god! The transference of musical fandom as religion to worshipping the self by Javier Campos Calvo-Sotel
Index