Sensory Arts and Design

ISBN-13: 9781350080102 / Angielski / Miękka / 2018 / 280 str.

Ian Heywood; David Howes

Opis

Artists, designers and researchers are increasingly seeking new ways to understand and explore the creative and practical significance of the senses. This ground-breaking book brings art and design into the field of sensory studies providing a clear introduction to the field and outlining important developments and new directions.

Spis treści

List of Illustrations Notes on Contributors Introduction Ian Heywood, LICA, Lancaster University, UK Part 1: Sensory Arts and Design, New Technologies and the Urban Environment 1. Shadowplay: Liberation and Exhilaration in Cities at Night Nick Dunn, LICA, Lancaster University, UK 2. The Role of Playfulness ans Sensory Experiences in Design for Public Health and for Ageing Well Emmanuel Tsekleves, Imagination Lancaster, Lancaster University, UK and Andy Darby, LICA, Lancaster University, UK 3. Can We Give Ourselves Extra Senses? Exploring Sensory Augmentation Naomi Jacobs, LICA, Lancaster University, UK, and Jonny Huck, Manchester University, UK 4. Sonifying Memory: Creative Approaches to Representing Socially Constructed Soundscapes Linda O’Keeffe, LICA, Lancaster University, UK Part 2: The Range of Sensory Arts and Design: Extensions, Realizations and Capacities 5. Scented Colours: The Role of Olfaction in Futurism and Olfactory (Re-)constructions Caro Verbeek, Royal Academy of Arts in The Hague and Rijksmuseum, the Netherlands 6. Museums of Good Taste, Artworks of Good Taste: Gastronomic Contemporary Art Mark Clintberg, Alberta College of Art and Design, Canada 7. The 2015 Chicago Architecture Biennial: The State of Sensory Design Joy Malnar, University of Illinois at Urbana-Champaign, USA 8. Music: Seeing and Feeling With the Ears Alan Marsden and Richard Leadbeater, LICA, Lancaster University UK Part 3: Vision, Touch and Technologies of Sense 9. Art Spectatorship and the Senses: An Eye Movement Analysis Exploring the Experience of Viewing Paintings and Reproductions Beth Harland, LICA, Lancaster University, UK and Nick Donnelly, University of Southampton, UK 10. Sensing Atoms and Bits Paul Coulton, Imagination Lancaster, Lancaster University, UK 11. Drawn Away from Vision: Encounters with the Unseen Sarah Casey and Gerry Davies, LICA, Lancaster University, UK 12. From Impressionism to Opticality: An Episode in the Sensory History of Art Ian Heywood, LICA, Lancaster University, UK 13. A Choreography of the Senses: The Painter's Studio Pip Dickens, LICA, Lancaster University, UK Index

O autorze

Ian Heywood is Research Fellow at the Lancaster Institute for the Contemporary Arts, Lancaster University, UK