Italian Renaissance Art: Understanding Its Meaning

ISBN-13: 9781118306079 / Angielski / Twarda / 2013 / 288 str.

Christiane L Joost Gaugier

Opis

Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries.

• A smart, elegant, and jargon-free analysis of the Italian Renaissance - what it was, what it means, and why we should study it
• Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers' understanding of the period
• Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily
• Situates the Italian Renaissance in the wider context of the history of art
• Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known

Recenzje

Summing Up: Recommended.  Upper–division undergraduates, graduate students, and researchers/faculty.   (Choice, 1 November 2013)

I highly recommend the very important and fascinating book Italian Renaissance Art: Understanding its Meaning by Christiane L. Joost–Gaugier, to any historians, art critics, art history and Renaissance history students and academics, and to anyone seeking a deeper understanding of the real meaning and currents that were present in Renaissance Italy. This book will transform how you view the art and the artists of the fifteenth and sixteenth centuries in Italy, and guide you toward thinking of the Renaissance as an important idea and not as a time period.   (Blog Business World, 13 April 2013)

I highly recommend the very important and fascinating book Italian Renaissance Art: Understanding its Meaning by Christiane L. Joost–Gaugier, to any historians, art critics, art history and Renaissance history students and academics, and to anyone seeking a deeper understanding of the real meaning and currents that were present in Renaissance Italy. This book will transform how you view the art and the artists of the fifteenth and sixteenth centuries in Italy, and guide you toward thinking of the Renaissance as an important idea and not as a time period.   (Money Talks, 13 April 2013)

Spis treści

List of Illustrations vi

Preface xi

Frontispiece: Map of places mentioned xiii

Introduction: The Italian Renaissance as an Idea Rather Than a Period 1

1 What a Difference a Hundred Years Makes 8

2 How It All Started: Florence and Umbria 31

3 What Happened Next in Florence 68

4 Searching for the Renaissance (1): Siena and Southward to Sicily 92

5 Searching for the Renaissance (2): From Northern Italy Back to Umbria 118

6 The Triumph of the Intellectual Avant–Garde: The High Renaissance 152

7 Some Other Artists of the High Renaissance 184

8 The Swan Song of Renaissance Art 200

9 The Break and the New Avant–Garde: Early Mannerism 209

10 What Was the Italian Renaissance? Conclusions in the Bigger Picture 246

Appendix A: Artists Mentioned 258

Appendix B: Some Suggested Readings 262

Index 267

O autorze

Christiane L. Joost–Gaugier is a three–time graduate of Harvard University (AB, AM, PhD) and an internationally known art historian.  She has taught and lectured in numerous universities internationally and has chaired departments at several American universities.  Professor Joost–Gaugier has written extensively on Italian art and architecture and has authored more than 200 publications, including six books.  Her work has been supported by numerous research grants and published in international journals, exhibition catalogues, and conference proceedings.  In 2005 she was awarded an honorary Phi Beta Kappa by Harvard University for Lifetime Achievement.

Blurb

This enlightening volume offers a new interpretation of the Renaissance, a major movement in the history of art. Guided by one of the world s leading Renaissance art history scholars, readers embark on a journey of discovery that will transform their understanding of these transformative years in the history of civilization. Detailed interpretations of works of art and architecture that were produced during the fifteenth and sixteenth centuries in Italy help us to understand the true meaning of this term.  Eschewing jargon and lengthy footnotes, the author frames the aesthetics of the Renaissance as a struggle between scientifically inspired problem–solving and irrational, intuitively based perception. Some artists and architects emerge as thoughtful intellectuals devoted to experimentation (the avant–garde) while others rely on the repetition of older methods (the conservatives). Because these opposite tendencies co–existed and interfaced with each other, it has been difficult to discover the true meaning of the Renaissance.

Accordingly, this richly illustrated work teaches its readers a visual method for reading and making sense of works of art and architecture, focusing on their characteristics as they were invented and developed throughout the Italian peninsula from Venice to Sicily, in order to understand their development and fully appreciate their significance. The events that occurred in the world of Italian art in the fifteenth and sixteenth centuries reveal the breathtaking modernity of Renaissance art and debunk the old–fashioned idea that Renaissance art is old fashioned. On the contrary, they suggest that what happened in Italy in the Renaissance art world is of fundamental importance to understanding the struggles within the modern art of our own time.