'This ground-breaking study provides new insights into theatrical touring in an age of globalization, particularly across the Asian continent, and the networks that made it possible. Focussing on the circuit developed by Maurice E. Bandmann in the late-nineteenth and early-twentieth century, it charts the impact of economics and politics on touring theatre and its structures, while also investigating managerial practices, performer and spectator experience, and the types of repertoire presented. Balme's informative and carefully researched book is an important addition to our understanding of transnational theatre practices and networks in a period of significant change and increasing internationalisation.' Jim Davis, University of Warwick
Introduction; 1. Family networks; 2. Mobile enterprises; 3. The micropolitics of locality; 4. Repertoires and publics; 5. Transported actors; 6. Contested contracts; 7. Infrastructure: from theatre to cinema; 8. Legacies.