'Zayaruznaya's book provides compelling new insights into one of the most prominent and least understood genres of late-medieval music.' Karl Kügle, Universiteit Utrecht, The Netherlands
Introduction; 1. Songs alive; 2. How (not) to write a motet: the exemplary In virtute/Decens; 3. Motet visions of an apocalyptic statue; 4. Interlude: Nebuchadnezzar's dream; 5. Ars nova and division; Epilogue: the poetics of representation; Appendices: 1. Philippe de Vitry, In virtute/Decens: texts, translations, and music; 2. Philippe de Vitry, Cum statua/Hugo: texts, translations, and music; 3. Philippe de Vitry, Phi millies/O creator: texts, translations, and music; 4. Anonymous, Post missarum/Post misse: texts and translations; 5. Anonymous, Fortune/Ma dolour: texts and translations; 6. Anonymous, Amer/Durement: texts and translations; 7. Philippe de Vitry, Firmissime/Adesto: texts and translations; 8. Anonymous, Beatius/Cum humanum: texts and translations.