'Chris Danta brilliantly demonstrates that attention to animal lives in the post-Darwinian fable has the potential to generate strong new readings, not only of a ubiquitous yet neglected genre in Anglo-American literary criticism, but also of an ensemble of texts that for too long have been read primarily as ciphers for purely human concerns.' Jennifer McDonell, Social Alternatives
Prologue: uplifting animals; 1. Looking up, looking down: orientations of the human; 2. The grotesque mouth; 3. 'The highest civilisation among ants': Stevenson and the fable; 4. 'An animal among the animals': Wells and the thought of the future; 5. Animal bachelors and animal brides: Kafka, Carter, Garnett; 6. Scapegoats and scapegraces: becoming sacrificial animal in Kafka and Coetzee; Coda: 'Diogenes of the zoo'.