Electroacoustic Music in East Asia

ISBN-13: 9781032090948 / Angielski / Miękka / 2021 / 208 str.

Marc Battier; Kenneth Fields

Opis

This book illuminates the development of electronic and computer music in East Asia, presented by authors from these countries and territories (China, Japan, Korea, and Taiwan). This book was originally published as a special issue of Contemporary Music Review.

Spis treści

IntroductionMarc Battier and Kenneth Fields1. Twenty Years of Japanese Electroacoustic Music: Trends in 1990s and JSEMMikako Mizuno2. Sneezing Toward the Sun: The Human Voice in the Musique concrète of Toru TakemitsuToshie Kakinuma3. The Creative Quest into Temple Bell Sonorities: Works of Musique Concrète by Toshiro MayuzumiYoshihiko Shimizu4. Japanese Electroacoustic and Japanese InstrumentsHiromi Ishii5. Electroacoustic Music Linked with Information Processing Research in JapanNaotoshi Osaka6. Mayuzumi’s Electronic StudiesCathy L. Cox7. The Principles of Electronic Music (1956)Toshiro Mayuzumi (translated by Cathy L. Cox)8. Electronic Music 7 Variations (1957)Toshiro Mayuzumi (translated by Cathy L. Cox)9. The Power of Arterial Language in Constructing a Musical Vocabulary of One’s Own: Inheriting the Inspiration and Gene of Innovation in Electroacoustic Music from Chinese CultureXiaofu Zhang10. Characteristics of Early Electronic Music Composition in China’s MainlandQiuxiao Li11. Exploration and Innovation, the Chinese Model of the Musicacoustica-Beijing FestivalHefei Wang12. Taiwanese Women Composers of Mixed Music with Their Cultural HeritageLin-Ni Liao13. Excavating the History of Electroacoustic Music in Korea, 1966–2016Hee Seng Kye and Jongwoo Yim

O autorze

Marc Battier is a composer. He is Professor of Computer Music at Shenzhen University, China, and Emeritus Professor of Musicology at Sorbonne University, France. He is cofounder of the Electroacoustic Music Studies Network and founder of the Electroacoustic Music Studies Asia Network. He is also a founding member of the International Computer Music Association, honorary editor of Leonardo, and he is on the editorial board of Organised Sound and the Malaysian Music Journal.

Kenneth Fields is Professor of Computer Music at the Central Conservatory of Music, China, and Adjunct Professor in Multimedia Arts and Technology at the University of California at Santa Barbara, USA. He is the founder and CEO of Artsmesh (Networked Music Software), and the Director of the Global Center of Advanced Studies - Santa Barbara (Phonosophy). He is also on the editorial board of Organised Sound.