Stello: A Session with Doctor Noir (Noumena Classics) » książka
Stello: A Session with Doctor Noir (Noumena Classics)
ISBN-13: 9780976706250 / Angielski / Miękka / 2015 / 266 str.
"And so, of the three forms of Power, the first is afraid of us, the second scorns us as useless, the third one hates us and tries to pull us down . . . Are we, then, the eternal Pariahs of society?"Stello (1832) is the story of the artist's ongoing struggle against society under a variety of political systems. In this classic French novel, the despairing poet Stello consults the mysterious Doctor Noir in the hopes of being cured of the "blue devils" which torment him. Stello fears he has no choice but to devote his artistic talents to some utopian political ideal; in the hopes of dispelling his delusions, the Doctor recounts the story of three historical poets: Nicholas Gilbert, Thomas Chatterton and AndrE ChEnier, each of whom similarly came to grief in the different societies in which they found themselves. The Doctor's final sobering prescription for Stello's woes can be seen not only as a way forward for the novel's protagonist, but also as surprisingly relevant words of caution for the artist of today.
Alfred de Vigny (1797-1863), poet, playwright, and novelist, was one of the strangest and most contradictory figures of the French Romantic movement: a complaining stoic, an apostle of honour who served as a police spy, a sensual misogynist. These ambiguities are found also in his intellectual life―he was the rational Romantic, the prosaic poet, the atheist believer. Vigny is perhaps best known in the English-speaking world for Servitude et grandeur militaires (1845), a collection of meditations on his time spent in the French army.
Irving Massey's translation introduces an important French text to those who are unable to read the original version and are nevertheless interested in French literature, in Romanticism, or in the history of prose fiction. The translation is remarkably faithful to the French text; the subtleties of Vigny's irony are preserved, and the various narrative dictions―which range from dispassionate commentary to impassioned outbursts―are reproduced with accuracy and sensitivity.
For this new edition, Dr. Massey has added an addendum to his original introduction and expanded the notes; also included is a short bibliography of Vigny studies undertaken since this translation was first published in 1963.
“And so, of the three forms of Power, the first is afraid of us, the second scorns us as useless, the third one hates us and tries to pull us down . . . Are we, then, the eternal Pariahs of society?”Stello (1832) is the story of the artist’s ongoing struggle against society under a variety of political systems. In this classic French novel, the despairing poet Stello consults the mysterious Doctor Noir in the hopes of being cured of the “blue devils” which torment him. Stello fears he has no choice but to devote his artistic talents to some utopian political ideal; in the hopes of dispelling his delusions, the Doctor recounts the story of three historical poets: Nicholas Gilbert, Thomas Chatterton and André Chénier, each of whom similarly came to grief in the different societies in which they found themselves. The Doctor’s final sobering prescription for Stello’s woes can be seen not only as a way forward for the novel’s protagonist, but also as surprisingly relevant words of caution for the artist of today.
Alfred de Vigny (1797-1863), poet, playwright, and novelist, was one of the strangest and most contradictory figures of the French Romantic movement: a complaining stoic, an apostle of honour who served as a police spy, a sensual misogynist. These ambiguities are found also in his intellectual life―he was the rational Romantic, the prosaic poet, the atheist believer. Vigny is perhaps best known in the English-speaking world for Servitude et grandeur militaires (1845), a collection of meditations on his time spent in the French army.
Irving Massey’s translation introduces an important French text to those who are unable to read the original version and are nevertheless interested in French literature, in Romanticism, or in the history of prose fiction. The translation is remarkably faithful to the French text; the subtleties of Vigny’s irony are preserved, and the various narrative dictions―which range from dispassionate commentary to impassioned outbursts―are reproduced with accuracy and sensitivity.
For this new edition, Dr. Massey has added an addendum to his original introduction and expanded the notes; also included is a short bibliography of Vigny studies undertaken since this translation was first published in 1963.
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