Theatre History Studies 2021, Vol 40

ISBN-13: 9780817371159 / Angielski / Miękka / 2022 / 256 str.

Lisa Jackson-Schebetta; Angela K. Ahlgren; Jane Barnette

Spis treści

• Introduction—LISA JACKSON-SCHEBETTA, WITH ODAI JOHNSON, CHRYSTYNA DAIL, AND JONATHAN SHANDELL
• PART I STUDIES IN THEATRE HISTORY
• Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason—ODAI JOHNSON
• Caricatured, Marginalized,and Erased: African American Artists and Philadelphia’s Negro Unit of the FTP, 1936–1939—JONATHAN SHANDELL
• Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins’s Appropriate—SCOTT PROUDFIT
• Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance—ANGELA K. AHLGREN
• PART II WITCH CHARACTERS AND WITCHY PERFORMANCE
• Editor’s Introduction to the Special Section Shifting Shapes: Witch Characters and Witchy Performances—CHRYSTYNA DAIL
• To Wright the Witch: The Case of Joanna Baillie’s Witchcraft—JANE BARNETTE
• Nothing Wicked This Way Comes: Shakespeare’s Subversion of Archetypal Witches in The Winter’s Tale—JESSICA HOLT
• Of Women and Witches: Performing the Female Body in Caryl Churchill’s Vinegar Tom—MAMATA SENGUPTA
• (Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba’s Heroine Journey in Wicked—REBECCA K. HAMMONDS
• Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell—DAVID BISAHA
• PART III Essay from the Conference
• The Robert A. Schanke Award-Winning Essay, MATC 2020 New Conventions for a New Generation: High School Musicals and Broadway in the 2010s—LINDSEY MANTOAN