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Crossovers: Essays on Race, Music, and American Culture

ISBN-13: 9780812219722 / Angielski / Miękka / 2006 / 296 str.

John F. Szwed
Crossovers: Essays on Race, Music, and American Culture Szwed, John 9780812219722 University of Pennsylvania Press - książkaWidoczna okładka, to zdjęcie poglądowe, a rzeczywista szata graficzna może różnić się od prezentowanej.

Crossovers: Essays on Race, Music, and American Culture

ISBN-13: 9780812219722 / Angielski / Miękka / 2006 / 296 str.

John F. Szwed
cena 116,54
(netto: 110,99 VAT:  5%)

Najniższa cena z 30 dni: 115,83
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Dostawa w 2026 r.

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Crossovers Essays on Race, Music, and American Culture John Szwed "In this collection of thirty-one short articles, essays, and reviews written over a thirty-six-year period, John Szwed consistently displays the extraordinary imagination and ingenuity that have made him one of the most respected scholars in African-American and Afro-diasporic Studies. Crossovers is both a revealing intellectual history of Szwed's development as a scholar and critic, and a unified and integrated argument on behalf of the aesthetic, moral, and political genius of the African diaspora."--George Lipsitz, H-Urban Ranging across genres from the popular to the scholarly, this selection of John Szwed's published essays abides in the intersection of race and art, jazz and rap: crossovers inside and outside the academy. With reviews written for the Village Voice and articles from academic journals, this volume includes essays, commentary, and meditations on James Agee and Walker Evans, Cuban folklorist Lydia Cabrera, Lafcadio Hearn, Melville Herskovits, Josef Skorvecky, Patrick Chamoiseau, pop song writer Ellie Greenwich, and jazz musicians Sonny Rollins, Anthony Braxton, Sun Ra, and Ornette Coleman. Also included are pieces on the prehistory of hip hop, the blues, popular dance instruction songs, tap dance, and African American set dancing; creole writing and creolization; race and culture; and authenticity, representation, nostalgia, and obscenity in American popular culture, with excursions into jazz in Africa, Russia, and Argentina. Written about a country with cultural crossroads everywhere, where the question of race is thoroughly woven into the fabric of society, these essays cross boundaries and shed light on the complexities of American life. John Szwed is John M. Musser Professor of Anthropology and African American Studies at Yale University. He is the author of numerous books, including So What: The Life of Miles Davis and Space Is the Place: The Lives and Times of Sun Ra, and coauthor (with Roger D. Abrahams, Nick Spitzer, and Robert Farris Thompson) of Blues for New Orleans: Mardi Gras and America's Creole Soul, also available from the University of Pennsylvania Press. 2005 296 pages 6 x 9 ISBN 978-0-8122-1972-2 Paper $26.50s 17.50 World Rights Anthropology, African-American/African Studies, Film/Media Studies, Cultural Studies Short copy: Crossovers brings together four decades of popular and academic writings by folklorist, anthropologist, and jazz scholar John Szwed.

CrossoversEssays on Race, Music, and American CultureJohn Szwed"In this collection of thirty-one short articles, essays, and reviews written over a thirty-six-year period, John Szwed consistently displays the extraordinary imagination and ingenuity that have made him one of the most respected scholars in African-American and Afro-diasporic Studies. Crossovers is both a revealing intellectual history of Szwed's development as a scholar and critic, and a unified and integrated argument on behalf of the aesthetic, moral, and political genius of the African diaspora."--George Lipsitz, H-UrbanRanging across genres from the popular to the scholarly, this selection of John Szwed's published essays abides in the intersection of race and art, jazz and rap: crossovers inside and outside the academy. With reviews written for the Village Voice and articles from academic journals, this volume includes essays, commentary, and meditations on James Agee and Walker Evans, Cuban folklorist Lydia Cabrera, Lafcadio Hearn, Melville Herskovits, Josef Skorvecky, Patrick Chamoiseau, pop song writer Ellie Greenwich, and jazz musicians Sonny Rollins, Anthony Braxton, Sun Ra, and Ornette Coleman. Also included are pieces on the prehistory of hip hop, the blues, popular dance instruction songs, tap dance, and African American set dancing; creole writing and creolization; race and culture; and authenticity, representation, nostalgia, and obscenity in American popular culture, with excursions into jazz in Africa, Russia, and Argentina.Written about a country with cultural crossroads everywhere, where the question of race is thoroughly woven into the fabric of society, these essays cross boundaries and shed light on the complexities of American life.John Szwed is John M. Musser Professor of Anthropology and African American Studies at Yale University. He is the author of numerous books, including So What: The Life of Miles Davis and Space Is the Place: The Lives and Times of Sun Ra, and coauthor (with Roger D. Abrahams, Nick Spitzer, and Robert Farris Thompson) of Blues for New Orleans: Mardi Gras and America's Creole Soul, also available from the University of Pennsylvania Press.2005 | 296 pages | 6 x 9ISBN 978-0-8122-1972-2 | Paper | $26.50s | L17.50 World Rights | Anthropology, African-American/African Studies, Film/Media Studies, Cultural StudiesShort copy:Crossovers brings together four decades of popular and academic writings by folklorist, anthropologist, and jazz scholar John Szwed.

Kategorie:
Nauka, Socjologia i społeczeństwo
Kategorie BISAC:
Social Science > Minority Studies
Social Science > Essays
Music > History & Criticism - General
Wydawca:
University of Pennsylvania Press
Język:
Angielski
ISBN-13:
9780812219722
Rok wydania:
2006
Ilość stron:
296
Waga:
0.49 kg
Wymiary:
22.96 x 16.15 x 2.11
Oprawa:
Miękka
Wolumenów:
01
Dodatkowe informacje:
Bibliografia
Szwed, John F. Szwed is currently a professor of anthropology, Af... więcej >


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