Deleuze and Film

ISBN-13: 9780748641208 / Angielski / Miękka / 2012 / 248 str.

David Martin-Jones

Opis

A wide-ranging collection of essays on the film-philosophy of Gilles Deleuze. Deleuze and Film explores how different films from around the world 'think' about topics like history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of this cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinema books.

Spis treści

Acknowledgements; Introduction: Deleuze's World Tour of Cinema, David Martin-Jones and William Brown; 1. An Imprint of Godzilla: Deleuze, the Action-Image and Universal History, David Deamer; 2. Philosophy, Politics and Homage in Tears of the Black Tiger, Damian Sutton; 3. Time-Images in Traces of Love: Repackaging South Korea's Traumatic National History for Tourism, David Martin-Jones; 4. The Rebirth of the World: Cinema According to Baz Luhrmann, Richard Rushton; 5. 'There as many paths to the time-image as there are films in the world': Deleuze and The Lizard, William Brown; 6. In Search of Lost Reality: Waltzing with Bashir, Markos Hadjioannou; 7. The Schizoanalysis of European Surveillance Films, Serazer Pekerman; 8. Fictions of the Imagination: Habit, Genre and the Powers of the False, Amy Herzog; 9. Feminine Energies, or the Outside of Noir, Elena del Río; 10. The Daemons of Unplumbed Space: Mixing the Planes in Hellboy, Anna Powell; 11. Digitalising Deleuze: The Curious Case of the Digital Human Assemblage, or What Can a Digital Body Do?, David H. Fleming; 12. The Surface of the Object: Quasi-Interfaces and Immanent Virtuality, Seung-hoon Jeong; Notes on Contributors; Index.