'There is so much to consider in this volume that the journey will be much more interesting than any final word. It is a volume to be highly recommended. I look forward to seeing Eggert's work being picked up and debated in those professional forums where it can make most impact.' Robyn Sloggett, Director of the Centre for Cultural Materials Conservation, University of Melbourne
1. Introduction; 2. The witness of historic buildings and the restoration of the churches; 3. The new Ruskinians and the new aesthetes; 4. Forgery and authenticity: historical documents, literary works and paintings; 5. Conservators and agency: their role in the work; 6. Subtilising authorship: Rembrandt, scientific evidence and modern connoisseurship; 7. Materialist, performance or literary Shakespeare?; 8. Modes of editing literary works: conflicts in theory and practice; 9. Readers and editors: new directions in scholarly editing; 10. The editorial gaze and the nature of the work; Bibliography.