Sounding Off: Theorizing Disability in Music

ISBN-13: 9780415979061 / Angielski / Twarda / 2006 / 312 str.

Neil Lerner; Joseph N. Straus

Opis

Sounding Off: Theorizing Disability in Music is the first book-length work to focus on the historical and theoretical issues of music as it relates to disability. It shows that music, like literature and the other arts, simultaneously reflects and constructs cultural attitudes toward disability.

Spis treści

Foreword Rosemarie Garland-Thomson  1. Introduction Neil Lerner and Joseph N. Straus  Part I: Narrating Disability Musically  2. Fever / Fragile / Fatigue: Music, AIDS, Present, and … Paul G. Attinello  3. Of Bodies and Narratives: Musical Representations of Pain and Illness in HBO’s W;t Maria Cizmic  4. Female Subjectivity, Disability, and Musical Authorship in Krzysztof Kieslowski’s Blue Kelly Gross  5. Dancing out of the Dark: How Music Refutes Disability Stereotypes in Dancer in the Dark Jennifer Iverson  6. The Horrors of One-Handed Pianism: Music and Disability in The Beast with Five Fingers Neil Lerner  Part II: Performing Disability Musically  7. Stuttering in American Popular Song, 1890-1930 Daniel Goldmark  8. Learning to Hear Autistically Dave Headlam  9. Glenn Gould, Autistic Savant S. Timothy Maloney  10. Using a Music-Theoretical Approach to Explore the Impact of Disability on Musical Development: A Case Study Adam Ockelford  11. Melisma as Malady: Cavalli’s Il Giasone (1649) and Opera’s Earliest Stuttering Role Andrew Oster  12. The Organ of the Soul:  Voice, Damage and Affect Laurie Stras  Part III: Composing Disability Musically  13. Les Chansons des fous: On the Edge of Madness with Alkan Poundie Burstein  14. Finding Autism in the Compositions of a Nineteenth-Century Prodigy: Reconsidering "Blind Tom" Wiggins Stephanie Jensen-Moulton  15. Beyond Abnormality—Dis/ability and Music’s Metamorphic Subjectivities Marianne Kielian-Gilbert  16. Mental Illness and Musical Metaphor in the First Movement of Berlioz’s Symphonie Fantastique Stephen Rodgers  17. Inversional Balance and the "Normal" Body in the Music of Schoenberg and Webern Joseph N. Straus