The Drama of South Africa : Plays, Pageants and Publics Since 1910

ISBN-13: 9780415179836 / Angielski / Miękka / 1999 / 296 str.

Loren Kruger

Opis

This text chronicles the development of dramatic writing and performance in South Africa from 1910, when the country came into official existence as a partially post-colonial Union, to the advent of post-apartheid. It discusses well-known figures and famous phenomena, and lesser known actors, directors and impressarios that have enriched the theatre of South Africa. As well as discussing conventional dramatic texts, the book investigates the impact of sketches and manifestos, and the oral preservation of scripts that for various reasons, political and otherwise, could not be written down.

Recenzje

'This author's work is widely read and admired by scholars active in the field of theatre studies ... her scholarship is careful and extensive, and her dieas clear and well expressed.' - Lizbeth Goodman, University of Surrey

'A much needed book.' - Richard Schechner, New York University

'Kruger's research is impressive: thorough, wide-ranging, and clearly documented with an excellent bibliography of scripts and secondary sources. The Drama of South Africa is certain to become a cornerstone of all subsequent studies of South African theatre, and an often-cited reference in studies of African and postcolonial theatre more generally.' - Catherine M. Cole, Theatre Journal

'A much needed textbook for students of drama and theatre.' - Artsmart

'Loren Kruger has done the South African theatre research community a singular service with her attempt to break through the artificial barriers of the apartheid cultural heritage it is both timely and valuable.' - Temple Hauptfleisch, Research in African Literatures

'The Drama of South Africa is an outstanding book it should be read by all who care about (per)forming post-apartheid society.' - Simon Lewis, H-Net Review

Spis treści

1 Introduction: the drama of South Africa 2 The progress of the national pageant 3 New Africans, neocolonial theatre, and “an African national dramatic movement” 4 Country counter city: urbanization, tribalization, and performance under apartheid 5 Dry white seasons: domestic drama and the Afrikaner ascendancy 6 The drama of black consciousnesses 7 Spaces and markets: the place of theatre as testimony 8 Theatre in the interregnum and beyond

O autorze

Loren Kruger is Associate Professor of English, Comparative Literature, and African and African-American Studies at the University of Chicago. She is the author of The National Stage and currently editor of Theatre Journal.