Melamed is sensible and tolerant in detailing the wide diversity of present-day Bach performance practice. The message is that there is no one way of listening to Bach, but awareness of musical style can help one learn both new and old ways of listening. This important book is must reading.
Daniel R. Melamed is Professor at the Indiana University Jacobs School of Music. He is the author of Hearing Bach's Passions (updated paperback 2016) and J.S. Bach and the German Motet, co-author (with Michael Marissen) of An Introduction to Bach Studies, and editor of the essay collections Bach Studies 2 and J. S. Bach and the Oratorio Tradition (Bach Perspectives 8). He serves as the General Editor for the American Bach Society and advisor to the Bloomington Bach Cantata Project.