ContributorsAcknowledgementsForeword
Introduction
Richard Perks and John McGrath
1. The Well-Tuned Guitar
John Schneider
2. Transforming the Microtonal Fingerboard: ‘Small’ Frets, LEGO and Robots – Interview with Tolgahan Çogulu
Richard Perks
3. The Expanding Fretless Guitarscape: Practice and Progress
Richard Perks
4. Touching the Apple Without Gloves – Interview with Cenk Erdogan
Richard Perks
5. Extended Range Instruments: Towards a New Organology of the Guitar
Tom Williams
6. I Should Have Just Learned How to Play the Organ – Interview with Charlie Hunter
Richard Perks
7. The Transformed Space of the Ligeti Guitar
Katalin Koltai
8. Grains, Glitches and Infinite Space: Guitar Effects Pedals, Digitization and Textural Guitar Aesthetics
Robert Strachan
9. The Sonic Maelstrom – Interview with Nels Cline
John McGrath
10. “Something Seems Wrong, Should That Be Happening?”: Avantfolk Guitar and Glitch Aesthetics, a Practice-Based Perspective
John McGrath
11. A Field of Reactivity: Moog Guitar and Experimental Systems – Interview with Bill Thompson
John McGrath
12. The Digital Fretboard: Remapping and Relearning the Guitar’s Pitch Matrix with MIDI and Max/MSP
Milton Mermikides
13. Augmented Reality Guitars: Extended Instruments and Notation for a 21st Century Practice
Amy BrandonIndex