'A pioneering work of art-historical scholarship illuminated by revisionary contemporary critical and cultural frameworks ... a landmark cosmopolitan contribution to the profound spirit of intellectual inquiry and aesthetic hospitality that have, through the centuries, inspired the arts of India' - Homi K. Bhabha, Anne F. Rothenberg Professor of the Humanities, Harvard University
Introduction
Section I Colonial Modernity, Art And National Identity
Section II Post Colonial Decades in Visual arts practices
Section III Nationalism after Globalization: Art in India in the 1990s-2000s
Mapping Several Regional Modernisms in South Asia
Partha Mitter is Emeritus Professor of Art History, University of Sussex. His books include Much Maligned Monsters: History of European Reactions to Indian Art, Art and Nationalism in Colonial India 1850-1922, Indian Art and The Triumph of Modernism: India's Artists and the Avant-Garde 1922-1947. Parul Dave Mukherji is Professor and former Dean at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi, India. She holds a PhD from Oxford University. Her recent publications include InFlux: Contemporary Art in Asia (which she co-edited) and the ASA volume, Arts and Aesthetics in a Globalizing World, co-edited with Ramindar Kaur. Rakhee Balaram is Assistant Professor of Global Modern and Contemporary Art and Art History at University at Albany, State University of New York. She has previously taught at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi. She holds double doctorates in the field of French Literature and Art History from Cambridge University and the Courtauld Institute of Art.