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100 Years of Spanish Cinema provides an in-depth look at the most important movements, films, and directors of twentieth-century Spain from the silent era to the present day.
A glossary of film terms provides definitions of essential technical, aesthetic, and historical terms
Features a visual portfolio illustrating key points of many of the films analyzed
Includes a clear, concise timeline to help students quickly place films and genres in Spain's political, economical, and historical contexts
Discusses over 20 films including Amor Que Mata, Un Chien Andalou, Viridana, El Verdugo, El Crimen de Cuenca, and Pepi, Luci, Born
Bibliografia Glosariusz/słownik Wydanie ilustrowane
"However, 100 Years of Spanish Cinema is a much needed and comprehensive survey of Spanish cinema, and provides enough information on the history and context of this national cinema to encourage further inquiry and in fact, encourages the use of the book as a springboard for future reading." (Scope Book Reviews, 1 February 2011)
"An excellent resource for students of Spanish film and/or contemporary Spanish culture. Summing Up: Highly recommended. (Choice Reviews, May 2009)
List of Figures vii
About the Authors viii
Acknowledgments x
Preface xi
1 Silent Cinema and its Pioneers (1906 1930) 1
El ciego de aldea, Ángel García Cardona 8
Amor que mata, Fructuós Gelabert 10
Don Pedro el Cruel, Ricardo Baños, Albert Marro 12
La aldea maldita, Florián Rey 15
2 Surrealism (1924 1930) and the Advent of Sound (the Second Republic: 1931 1936) 21
Un chien andalou, Luis Buñuel 26
Tierra sin pan, Luis Buñuel 30
3 Spanish Civil War (1936 1939) 39
Suspiros de España, Benito Perojo 46
Canciones para después de una guerra, Basilio Martín Patino 52
4 The Autarky: Papier–Mâché Cinema (1939 1950) 61
Raza, José Luis Sáenz de Heredia 66
Locura de amor, Juan de Orduña 74
5 Neorealism: Status Quo and Dissent (1951 1961) 81
El cochecito, Marco Ferreri 89
Viridiana, Luis Buñuel 96
6 The Liberal Dictatorship and its Agony (1962 1975) 104
El verdugo, Luis García Berlanga 113
El jardín de las delicias, Carlos Saura 120
7 Cinema of the Transition: The Period of Disenchantment (1975 1979) 127
El desencanto, Jaime Chávarri 140
El crimen de Cuenca, Pilar Miró 145
8 Post–Franco Spain: The Pedro Almodóvar Phenomenon (1980 1991) 152
Pepi, Luci, Bom y otras chicas del montón, Pedro Almodóvar 161
¿Qué he hecho yo para merecer esto!, Pedro Almodóvar 169
9 Contemporary Trends (1992 to the Present) 180
Vacas, Julio Medem 194
Carícies, Ventura Pons 203
Flores de otro mundo, Icíar Bollaín 211
The Secret Life of Words (La vida secreta de las palabras), Isabel Coixet 218
Glossary of Film Terms 226
Historical Chronology 232
Notes 246
Bibliography 257
Index 263
Tatjana Pavlovic is Associate Professor of Spanish at Tulane University in New Orleans.
Inmaculada Alvàrez is a Visiting Assistant Professor at University of California, Riverside.
Rosana Blanco–Cano is Assistant Professor at Trinity University in San Antonio, Texas.
Anitra Grisales is a freelance editor and translator specializing in film and media studies.
Alejandra Osorio is a professor in the Communications Department of the Universidad Autónoma Metropolitana–Cuajimalpa, Mexico.
Alejandra Sánchez is a Ph.D. candidate at Tulane University in the Department of Spanish and Portuguese.
100 Years of Spanish Cinema provides an in–depth look at the most important movements, films, and directors of twentieth–century Spain from the silent era to the present day. Approaching film as a cultural institution and a technological invention, it combines aesthetic analysis with contextual information on Spanish history, politics, and the cinematic industry.
100 Years of Spanish Cinema offers a step–by–step guide for students as they explore the visual elements, critical perspectives, and cultural contexts of twenty–two featured works, helping them to be more analytical, sophisticated, and engaged spectators, while also enabling them to interpret and examine the films in light of the socio–cultural conditions in which they were produced.