Muzyka

In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history.

Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.

In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history.

Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.

Classical music permeates contemporary life. Encountered in waiting rooms, movies, and hotel lobbies as much as in the concert hall, perennial orchestral favorites mingle with commercial jingles, video-game soundtracks, and the booming bass from a passing car to form the musical soundscape of our daily lives. In this provocative and ground-breaking study, Melanie Lowe explores why the public instrumental music of late-eighteenth-century Europe has remained accessible, entertaining, and distinctly pleasurable to a wide variety of listeners for over 200 years. By placing listeners at the...

Revised and expanded since it first appeared in 1991, the guide features two new chapters on ornamentation and rehearsal techniques, as well as updated reference materials, internet resources, and other new material made available only in the last decade.

The guide is comprised of focused chapters on performance practice issues such as vocal and choral music; various types of ensembles; profiles of specific instruments; instrumentation; performance practice issues; theory; dance; regional profiles of Renaissance music; and guidelines for directors. The format addresses the widest...

The second part of the third volume to appear in the magnum opus of A. Peter Brown continues the geographical tour of the mid-19th-to early-20th-century symphony begun in Vol. 3A. Brown discusses works from England, Russia, and France--including those by Potter, Bennett, Stanford, Elgar, Rimsky-Korsakov, Borodin, Tchaikovsky, Rachmaninoff, Gounod, Bizet, Franck, Dukas, and many others. A single source provides a detailed analysis of stylistic traits and background material on the composition and performances of these masterpieces.

Brown's series synthesizes an enormous amount of...

A classic in music theory since its publication in 1981, this work models music understanding from the perspective of cognitive science. The point of departure is a search for a grammar of music with the aid of generative linguistics. The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsiously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notatation as well as in the substance of rhythmic and reductional theory.

In this book, David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it? Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best...

What biological and cognitive forces have shaped humankind's musical behavior and the rich global repertoire of musical structures? What is music for, and why does every human culture have it? What are the universal features of music and musical behavior across cultures? In this groundbreaking book, musicologists, biologists, anthropologists, archaeologists, psychologists, neuroscientists, ethologists, and linguists come together for the first time to examine these and related issues. The book can be viewed as representing the birth of evolutionary biomusicology -- the study of which will...

Includes the best-loved traditional carols from the hymn books and carol sheets, plus the best of the new carols which have become popular through radio and TV or schools.

Contributors to this volume are Philip Alperson, Francis Sparshott, Nicholas Wolterstorff, Edward T. Cone, Peter Kivy, Jenefer Robinson, Joseph Margolis, Arnold Berleant, Morris Grossman, Jerrold Levinson, Stephen Davies, Martin Donougho, Roger Scruton, and Rose Rosengard Subotnik.

This volume, reproducing a special issue of The Journal of Aesthetics and Art Criticism on "The Philosophy of Music" (Winter 1994) with a revised introduction and two new articles, is distinguished by its breadth of content, diversity of approaches, and clarity of argument, which should make it useful for classroom teaching.

The topics covered include musical representation, the expression of feeling in music, the metaphysics of operatic speech and song, musical understanding, musical composition, feminist music theory, music and politics, music and racial identity, music in...

What happens to a community of oppositional artists when the purpose and meaning of their opposition are undermined by social transformation? Such was the dilemma facing many underground artists in Eastern Europe following the collapse of state socialism. In Up from the Underground, Anna Szemere looks at the underground based on rock music in Hungary, showing how it anticipated, precipitated, and responded to a period of fundamental change.

Szemere's work focuses on a community of rock musicians that became popular with Hungary's urban youth culture in the early...

This book is] a comprehensive illustrated history of the U.S. musical from its colonial origins to the present, tracing the connections and influences of the minstrel show, operetta, burlesque, melodrama, revues, circus, dance, musical comedy, the Broadway opera, the book musical and other forms. . . . Further, Mates introduces readers to inside stuff--the various types of musical performers. Variety

American musical theatre has developed as an idigenous art form, with a long history, amazing vitality, and a variety of expression. Julian Mates is the first to show the...

In this powerful new study Mary Ellison demonstrates the unique role of black music as an articulation of black aspirations and fears, and as a reaction to a range of social, economic, and political realities. She reveals black music as a soundtrack for life in all its complexity. Through a very close examination of lyrics, musical style, and form in black music throughout history, Ellison brings to light a genre of music varied in its intentions and impact; a catalyst for activism and a stimulus for changing attitudes. The book is organized around topical issues and explores such themes...

Popular music may be viewed as primary documents of society, and America's Musical Pulse documents the American experience as recorded in popular sound. Whether jazz, blues, swing, country, or rock, the music, the impulse behind it, and the reaction to it reveal the attitudes of an era or generation. Always a major preoccupation of students, music is often ignored by teaching professionals, who might profitably channel this interest to further understandings of American social history and such diverse fields as sociology, political science, literature, communications, and business...

Music is a central element of African American culture. It is part of the oral tradition that began before Africans were enslaved and brought to North America, and it continues in the bicultural synthesis that is the African American experience. All black American music therefore represents the history, expressive styles, and important values of African America. Inherent in this consideration of culture is the psychology that has evolved from the historical experience of African Americans, particularly those mental dispositions and processes that have enhanced psychological...

Early in the century, a handful of American composers began creating a new musical culture in the United States. Abandoning the European musical tradition, they protested the marginalization of American-born composers and struggled to displace traditional classical music in America. This movement, known as experimentalism, peaked during the 1950s and 1960s, when the music of composers like John Cage, Henry Cowell, and Charles Ives reached a new wide audience. This ethnographic account of experimentalism addresses the question of what social and political factors produced this avant-garde...

Grammy winner for Can You Feel the Love Tonight from Disney's 1994 blockbuster movie DEGREES"The Lion King," Elton John is a musician who has transcended generations. Since his U.S. debut 26 years ago, E.J. has had a top-40 hit every year. This first reference dedicated to the legendary singer/songwriter, who has been enchanting fans for nearly three decades, contains hundreds of anecdotes on people, places, and things related to his career. It includes a behind-the-scenes look at every album, a comprehensive list of all songs written or recorded (dozens never released), and the most...

Designed to serve music students at the college level, this informal approach to music theory relates the technical aspects of music with the expressive character of the art. The approach is holistic in the sense that it focuses on the interrelationships between the piece as heard by a socially conditioned listener and the notated, performed score: it aims to bridge the gap between the technical and expressive aspects of music. The composers addressed are: Bach, Mozart, Beethoven, Chopin, Schumann, Brahms, Wagner, Debussy, and Schoenberg. There are separate chapters on the problems of...