Kategoria BISAC: Literary Criticism >> Women Authors

Dialogics of the Oppressed was first published in 1992. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Formulated within and against the context of Russian formalism that became the backbone of semiotics, Mikhail Bakhtin's work has enabled contemporary critical theories to return to specific sociopolitical and historical moments that had been closed off by formalist abstractions. In Dialogics of the Oppressed, Peter Hitchcock looks...

Border Women rethinks border theory by emphasizing women writers whose work -- in Spanish, English, or a mixture of the two languages -- calls into question accepted notions of border identities. These writers include those who are already well recognized...

The dawn of humanism in the Renaissance presented privileged women with great opportunities for personal and intellectual growth. Sexual and social roles still determined the extent to which a woman could pursue education and intellectual accomplishment, but it was possible through the composition of poetry or prose to temporarily offset hierarchies of gender, to become equal to men in the act of creation.

Edited by Katharina M. Wilson, this anthology introduces the works of twenty-five women writers of the Renaissance and Reformation, among them Marie Dentiere, a Swiss evangelical...

Drawing upon letters, autobiographies, and novels, "Daughters of Time" examines the strategies that various southern women writers have used to create their own "voice," their own unique expression of mind and selfhood. Lucinda H. MacKethan shows that, despite the constraining and muting effects of the South's historically patriarchal society, the region has been graced by the remarkably strong presence of women storytellers, black and white, who have asserted their determination to become themselves through creative acts of voicing.

Within a chronological structure, MacKethan examines...

What if the American literary canon were expanded to consistently represent women writers, who do not always fit easily into genres and periods established on the basis of men's writings? How would the study of American literature benefit from this long-needed revision? This timely collection of essays by fourteen women writers breaks new ground in American literary study. Not content to rediscover and awkwardly "fit" female writers into the "white male" scheme of anthologies and college courses, editors Margaret Dickie and Joyce W. Warren question the current boundaries of literary...

How do women writers cope with changes and juggle the demands in their already full lives to make time for their lives as artists? In this anthology, noted female novelists, journalists, essayists, poets, and nonfiction writers address the old and new challenges of "doing it all" that face women writers as the twenty-first century approaches. With eloquence, sensitivity, and more than a touch of wry humor, "Sleeping with One Eye Open" relates positive stories from women who lead effective lives as artists, emphasizing how sources of inspiration, discipline, resourcefulness, and...

Most Japanese literary historians have suggested that the Meiji Period (1868-1912) was devoid of women writers but for the brilliant exception of Higuchi Ichiyo (1872-1896). Rebecca Copeland challenges this claim by examining in detail the lives and literary careers of three of Ichiyo's peers, each representative of the diversity and ingenuity of the period: Miyake Kaho (1868-1944), Wakamatsu Shizuko (1864-1896), and Shimizu Shikin (1868-1933).

In a carefully researched introduction, Copeland establishes the context for the development of female literary expression. She follows this...

One of the most famous living French writers, Marguerite Duras is renowned for her provocative and hauntingly beautiful works of fiction, drama, and cinema. This book offers the first comprehensive study of the narrative and stylistic characteristics of Duras's fiction. Susan D. Cohen examines the entire range of Duras's works, combining close textual analyses with a more general discussion of narrativity and its connections with gender, class, and race. The focus throughout is on language, representation, and difference, which Duras explores on every structural level.

Cohen shows how...

Many of the poems in Naming the Stars are about the difficulty of balancing the desires of one self with those of another and the problem of solving the arguments between the body and the soul. The collection's perspective often shifts as the poet wonders how to tell a story that she is not certain she understands even as she lives it, but she finds solace in the sonnet and near-sonnet, giving the volume a recurring shape and a sequential thread. This is Sutphen's third book of poems and it is a change, both in style and subject matter: the poems here are more immediate and...