Kategoria BISAC: Literary Criticism >> American - African American & Black

Vincent Carretta has assembled the most comprehensive anthology ever published of writings by eighteenth-century people of African descent, capturing the surprisingly diverse experiences of blacks on both sides of the Atlantic--America, Britain, the West Indies, and Africa--between 1760 and 1798.

The literature often considered the most American is rooted not only in European and Western culture but also in African and American Creole cultures. Keith Cartwright places the literary texts of such noted authors as George Washington Cable, W.E.B. DuBois, Alex Haley, Zora Neale Hurston, Ralph Ellison, William Faulkner, Joel Chandler Harris, Herman Melville, Toni Morrison, and many others in the context of the history, spiritual traditions, folklore, music, linguistics, and politics out of which they were written.

Cartwright grounds his study of American writings in texts from the...

Langston Hughes was one of the most important American writers of his generation, and one of the most versatile, producing poetry, fiction, drama, and autobiography. In this innovative study, R. Baxter Miller explores Hughes's life and art to enlarge our appreciation of his contribution to American letters.

Arguing that readers often miss the complexity of Hughes's work because of its seeming accessibility, Miller begins with a discussion of the writer's auto-biography, an important yet hitherto neglected key to his imagination. Moving on to consider the subtle resonances of his life...

An important new collection of original essays that examine how Ellison's landmark novel, Invisible Man (1952), addresses the social, cultural, political, economic, and racial contradictions of America. Commenting on the significance of Mark Twain's writings, Ralph Ellison wrote that "a novel could be fashioned as a raft of hope, perception and entertainment that might help keep us afloat as we tried to negotiate the snags and whirlpools that mark our nation's vacillating course toward and away from the democratic ideal." Ellison believed it was the contradiction between America's "noble...

Recent studies have investigated these works only from the standpoint of victimization. Angelyn Mitchell changes the conceptualization of these narratives, focusing on the theme of freedom, not slavery, defining these...

What did it mean for people of color in nineteenth-century America to speak or write "white"? More specifically, how many and what kinds of meaning could such "white" writing carry? In "ReWriting White," Todd Vogel looks at how America has racialized language and aesthetic achievement. To make his point, he showcases the surprisingly complex interactions between four nineteenth-century writers of color and the "standard white English" they adapted for their own moral, political, and social ends. The African American, Native American, and Chinese American writers Vogel discusses delivered...

McLendon shows how the nineteenth-century stereotype of the tragic mulatto as invented by white writers became both a political tool and an artistic device in the capable hands of Jessie Fauset and Nella Larsen. Using black female protagonists who often passed as whites, Fauset and Larsen showed that blacks were despised not for their lack of education of money or manners, but simply because they were black. Focusing on the psychology of black women, they brought up issues of identity and difference for both blacks and women and insisted on the authenticity of the black experience of...

This work examines African-American fiction, discussing how African-American novelists worked with the same mythic materials as their white counterparts, but inverted Anglo-American constructions. Relating the novel to history, it shows how they refuted Anglo-Americans' record of history.

The process of naming is a transformative act that inherently imparts meaning, whether it be through the conscious use of a familiar historical or allegorical appellation or through the creation of a new word. Critics have often noted the importance of names and naming in African-American literature, but Debra Walker King's Deep Talk is the first methodological discussion of the process. In this original study, the author seeks out the discourses existing beneath the primary narratives of these literary texts by interpreting the significance of certain character names.

King explores...

The process of naming is a transformative act that inherently imparts meaning, whether it be through the conscious use of a familiar historical or allegorical appellation or through the creation of a new word. Critics have often noted the importance of names and naming in African-American literature, but Debra Walker King's Deep Talk is the first methodological discussion of the process. In this original study, the author seeks out the discourses existing beneath the primary narratives of these literary texts by interpreting the significance of certain character names.

King explores...

From the earliest texts of the colonial period to works contemporary with Emancipation, African American literature has been a dialogue across color lines, and a medium through which black writers have been able to exert considerable authority on both sides of that racial demarcation.

Dickson D. Bruce argues that contrary to prevailing perceptions of African American voices as silenced and excluded from American history, those voices were loud and clear. Within the context of the wider culture, these writers offered powerful, widely read, and widely appreciated commentaries on...

In this provocative new book, Mark Christian Thompson addresses the startling fact that many African American intellectuals in the 1930s sympathized with fascism, seeing in its ideology a means of envisioning new modes of African American political resistance. Thompson surveys the work and thought of several authors and asserts that their sometimes positive reaction to generic European fascism, and its transformation into black fascism, is crucial to any understanding of Depression-era African American literary culture.

The book considers the high regard that -Back to Africa-...

In this provocative new book, Mark Christian Thompson addresses the startling fact that many African American intellectuals in the 1930s sympathized with fascism, seeing in its ideology a means of envisioning new modes of African American political resistance. Thompson surveys the work and thought of several authors and asserts that their sometimes positive reaction to generic European fascism, and its transformation into black fascism, is crucial to any understanding of Depression-era African American literary culture.

The book considers the high regard that -Back to Africa-...

While many historically significant or interesting plays by white playwrights are easily found in anthologies, few by early African American writers are equally accessible. Indeed until the 1970s, almost none of these early plays could be located

outside of a library.

The Roots of African American Drama fills this gap. Five of the thirteen scripts included here have never been in print, and only three

others are presently available anywhere. The plays represent a variety of styles-allegory, naturalism, realism, melodrama, musical comedy, and opera. Four are full length,

eight...