The book brings a new approach to see the art history of Hong Kong as a historical mediator and offers  alternative perspective to discern the current hype of archive research and archival art practices, which informs the commitment in the constant production of socio-political meanings through arts.  The book addresses the current social-political crises of Hong Kong by connecting art, memory, history, and political participation together through the site of archive and contextualises in both local and global perspectives, it also focuses on the artist archive, namely Ha Bik Chuen...