Shaw began writing MAN AND SUPERMAN in 1901 and determined to write a play that would encapsulate the new century's intellectual inheritance. Shaw drew not only on Byron's verse satire, but also on Shakespeare, the Victorian comedy fashionable in his early life, and from authors from Conan Doyle to Kipling. In this powerful drama of ideas, Shaw explores the role of the artist, the function of women in society, and his theory of Creative Evolution. As Stanley Weintraub says in his new introduction, this is "the first great twentieth-century English play" and remains a classic expose of the...
Shaw began writing MAN AND SUPERMAN in 1901 and determined to write a play that would encapsulate the new century's intellectual inheritance. Shaw dre...
One of Bernard Shaw's most glittering comedies, Arms and the Man is a burlesque of Victorian attitudes to heroism, war and empire. In the contrast between Bluntschli, the mercenary soldier, and the brave leader, Sergius, the true nature of valour is revealed. Shaw mocks deluded idealism in Candida, when a young poet becomes infatuated with the wife of a Socialist preacher. The Man of Destiny is a witty war of words between Napoleon and a 'strange lady', while in the exuberant farce You Never Can Tell a divided family is reunited by chance. Although Shaw intended Plays Pleasant to be gentler...
One of Bernard Shaw's most glittering comedies, Arms and the Man is a burlesque of Victorian attitudes to heroism, war and empire. In the contrast bet...
Shaw's brilliantly witty exposure of the British class system Shaw wrote the part of Eliza Doolittle--'an east-end dona with an apron and three orange and red ostrich feathers'--for Mrs Patrick Campbell, with whom he had a passionate but unconsummated affair. From the outset the play was a sensational success, although Shaw, irritated by its popularity at the expense of his artistic intentions, dismissed it as a potboiler. The Pygmalion of legend falls in love with his perfect female statue and persuades Venus to bring her to life so that he can marry her. But Shaw radically...
Shaw's brilliantly witty exposure of the British class system Shaw wrote the part of Eliza Doolittle--'an east-end dona with an apron and t...
Purchase one of 1st World Librarys Classic Books and help support our free internet library of downloadable eBooks. 1st World Library-Literary Society is a non-profit educational organization. Visit us online at www.1stWorldLibrary.ORG - - At the most wretched hour between a black night and a wintry morning in the year 1777, Mrs. Dudgeon, of New Hampshire, is sitting up in the kitchen and general dwelling room of her farm house on the outskirts of the town of Websterbridge. She is not a prepossessing woman. No woman looks her best after sitting up all night; and Mrs. Dudgeons face,...
Purchase one of 1st World Librarys Classic Books and help support our free internet library of downloadable eBooks. 1st World Library-Literary Society...
When Ellie Dunn joins a house-party at the home of the eccentric Captain Shotover, she causes a stir with her decision to marry for money rather than love, and the Captain's forthright daughter Hesione protests vigorously against the pragmatic young woman's choice. Opinion on the matter quickly divides and a lively argument about money and morality, idealism and realism ensues as Hesione's rakish husband, snobbish sister and Ellie's fiance - a wealthy industrialist - enter the debate. Written between 1916 and 1917 as war raged across Europe, Heartbreak House is a telling indictment of the...
When Ellie Dunn joins a house-party at the home of the eccentric Captain Shotover, she causes a stir with her decision to marry for money rather than ...
In this sparkling comedy, originally staged in 1905, Andrew Undershaft, a millionaire armaments dealer, loves money and despises poverty. His energetic daughter Barbara, however, is a devout major in the Salvation Army. She sees her father as just another soul to be saved. But when the Salvation Army needs funds to keep going, it is Undershaft who saves the day.
In this sparkling comedy, originally staged in 1905, Andrew Undershaft, a millionaire armaments dealer, loves money and despises poverty. His energeti...
With Saint Joan, Shaw reached the height of his fame as a dramatist. Fascinated by the story of Joan of Arc (canonized in 1920), but unhappy with "the whitewash which disfigures her beyond recognition," he presents a realistic Joan: proud, intolerant, naive, foolhardy, always brave-a rebel who challenged the conventions and values of her day.
With Saint Joan, Shaw reached the height of his fame as a dramatist. Fascinated by the story of Joan of Arc (canonized in 1920), but unhappy with "the...
With Plays Unpleasant, Shaw issued a radical challenge to his audiences' complacency and exposed social evils through his dramatization of the moral conflicts between youthful idealism and economic reality, promiscuity and marriage, and the duties of women to others and to themselves. His first play, Widowers' Houses, depicts Harry Trench's dilemma on learning that the inheritance of his fiancee comes from her father's income as a slum landlord. In The Philanderer, charismatic Leonard Charteris proposes marriage to Grace, while he is still involved with the beautiful Julia Craven - who is not...
With Plays Unpleasant, Shaw issued a radical challenge to his audiences' complacency and exposed social evils through his dramatization of the moral c...