On of the most distinguished literary critics of our time presents a scholarly, in-depth analysis of Bob Dylan's lyrics.

This extraordinary trove of previously unpublished early works includes drafts of poems such as The Love Song of J. Alfred Prufrock as well as ribald verse and other youthful curios. Perhaps the most significant event in Eliot scholarship in the past twenty-five years (New York Times Book Review). Edited by Christopher Ricks.
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In Essays in Appreciation, Christopher Ricks continues the work of his highly-praised The Force of Poetry, with lively and provoking essays on poets and poetry. In addition, Ricks puts his appreciative pen in the service of other literary figures and genres, including drama, the novel, history and philosophy, and a discussion of Victorian biographies. Ricks wraps up the collection with a series of critical questions on literature and theory; plus two notes--on the canon, and on Empson and political criticism. W.H. Auden once wrote of Christopher Ricks that "he is exactly the kind of critic...

'Milton's Grand Style' has been vigorously attacked in the 20th century, and this book is an attempt to refute Milton's detractors by showing the delicacy and subtlety which is to be found in the verse of Paradise Lost'.

In this acclaimed book, Professor Ricks argues for the importance of embarrassment in human life and for the value works of art which help us deal with embarrassment by recognizing and refining it. As a poet and a man, Keats was especially sensitive to, and morally intelligent about, embarrassment. This study demonstrates the particular direction of his insight and moral concern to acknowledge embarrassability and its involvement in important moral concerns.

Christopher Ricks is among the best known living critics. His third collection of essays, several newly written for this book, is strongly focused on the theme of how writers--especially but not exclusively poets--make use of other writers' work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagiarism.

A biographical and critical study of Tennyson aiming to show what went into the making of the man, exploring the power, subtlety and variety of his poems, along with the artistic principles and preoccupations which shaped his life's work.

Christopher Ricks is among the best known living critics. His third collection of essays, several newly written for this book, is strongly focused on the theme of how writers--especially but not exclusively poets--make use of other writers' work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagiarism.

Here in one volume are the texts of two of the greatest--and most controversial--epic poems in English literature, each a profound exploration of the moral problems of God's justice. Includes notes by Ricks and a new Afterword by Weldon. Revised reissue.

Robert Frost and Edward Thomas met in a bookshop in London in 1913. During the next four years, the two writers--Frost, an unknown poet who had sold his farm in New Hampshire in order to take his family to England for one last gamble on poetry and Thomas, a sad literary journalist--formed the most important friendship between poets since that of Wordsworth and Coleridge. Their friendship only ended with Thomas' death in Arras, France, a casualty of the First World War.
The story of Edward Thomas' turn to poetry, in fact, has been dominated by the account of Robert Frost's injunction: to...