Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first truly planetary literary form. A translated selection from the epic five-volume Italian Il Romanzo (2001-2003), The Novel's two volumes are a unified multiauthored reference work, containing more than one hundred specially commissioned essays by leading contemporary critics from around the world. Providing the first international comparative reassessment of the novel, these essential volumes reveal the form in unprecedented depth...
Nearly as global in its ambition and sweep as its subject, Franco Moretti's The Novel is a watershed event in the understanding of the first...
In this groundbreaking book, Franco Moretti argues that literature scholars should stop reading books and start counting, graphing, and mapping them instead. In place of the traditionally selective literary canon of a few hundred texts, Moretti offers charts, maps and time lines, developing the idea of "distant reading" into a full-blown experiment in literary historiography, in which the canon disappears into the larger literary system. Charting entire genres--the epistolary, the gothic, and the historical novel--as well as the literary output of countries such as Japan, Italy, Spain, and...
In this groundbreaking book, Franco Moretti argues that literature scholars should stop reading books and start counting, graphing, and mapping them i...
"Take Faust, what is it? A 'tragedy', as its author states? A great philosophical tale? A collection of lyrical insights? Who can say. How about Moby-Dick? Encyclopedia, novel or romance? Or even a 'singular medley, ' as one anonymous 1851 review put it? ... 'It is no longer a novel, ' T.S. Eliot said of Ulysses. But if not novels, then what are they?" Literary history has long been puzzled by how to classify and treat these aesthetic monuments. In this highly original and interdisciplinary work, Franco Moretti builds a theory of the modern epic: a sort of super-genre...
"Take Faust, what is it? A 'tragedy', as its author states? A great philosophical tale? A collection of lyrical insights? Who can say. How abou...
Wilhelm Meister, Elizabeth Bennet, Julien Sorel, Rastignac, Jane Eyre, Bazaroz, Dorothea Brooke ... the golden age of the European novel discovers a new collective protagonist: youth. It is problematic and restless youth--"strange" characters, as their own creators often say--arising from the downfall of traditional societies. But even more than that, youth is the symbolic figure for European modernity: that sudden mix of great expectations and lost illusions that the bourgeois world learns to "read," and to accept, as if it were a novel. The Way of the World, with its unique...
Wilhelm Meister, Elizabeth Bennet, Julien Sorel, Rastignac, Jane Eyre, Bazaroz, Dorothea Brooke ... the golden age of the European novel discovers a n...
Shakespearean tragedy and Dracula, Sherlock Holmes and Ulysses, Frankenstei and The Waste Land--all are celebrated wonders of modern literature, whether in its mandarin or popular form. However, it is the fact that these texts are so central to our contemporary notion of literature that sometimes hinders our ability to understand them. Franco Moretti applies himself to this problem bydrawing skillfully on structuralist, sociological and psycho-analytic modes of enquity in order to read these texts as literary systems which are tokens of wider cultural and political realities. In the process,...
Shakespearean tragedy and Dracula, Sherlock Holmes and Ulysses, Frankenstei and The Waste Land--all are celebrated wonders of modern literature, wheth...
Man knne auch als Literaturwissenschaftler durchaus ber Bcher reden, ohne jemals eines gelesen zu haben - mit solch provokanten Thesen bringt Franco Moretti seit Jahren die internationale Literaturtheorie durcheinander. In seinem neuen Buch demonstriert Moretti, der ob seiner innovativen Verve bereits mit Umberto Eco verglichen wird, wie eineabstrakte Literaturwissenschaftaussehen knnte: Anstatt sich mit einzelnen kanonischen Texten auseinanderzusetzen, kartographiert er die Landschaft englischer Dorfgeschichten oder erprobt die Anwendbarkeit evolutionstheoretischer Konzepte auf die...
Man knne auch als Literaturwissenschaftler durchaus ber Bcher reden, ohne jemals eines gelesen zu haben - mit solch provokanten Thesen bringt Franco M...
Franco Moretti's GRAPHS, MAPS, TREES: ABSTRACT MODELS FOR LITERARY HISTORY is one of the most provocative recent works of literary history. The present volume collects generalist and specialist, academic and nonacademic responses by statisticians, philosophers, historians, literary scholars and others. And Moretti's responses to these responses. Originally written as contributions to an online book event hosted at The Valve (www.thevalve.org), and edited for this volume, these essays explore, extend and criticize many aspects of Franco Moretti's work. They will be of interest to anyone...
Franco Moretti's GRAPHS, MAPS, TREES: ABSTRACT MODELS FOR LITERARY HISTORY is one of the most provocative recent works of literary history. The presen...
"The bourgeois ... Not so long ago, this notion seemed indispensable to social analysis; these days, one might go years without hearing it mentioned. Capitalism is more powerful than ever, but its human embodiment seems to have vanished. 'I am a member of the bourgeois class, feel myself to be such, and have been brought up on its opinions and ideals, ' wrote Max Weber, in 1895. Who could repeat these words today? Bourgeois 'opinions and ideals'--what are they?" Thus begins Franco Moretti's study of the bourgeois in modern European literature--a major new analysis of the once-dominant...
"The bourgeois ... Not so long ago, this notion seemed indispensable to social analysis; these days, one might go years without hearing it mentioned. ...
Die industrielle Revolution hat keinen Stein auf dem anderen gelassen. Sie hat alle »altehrwürdigen Vorstellungen und Anschauungen« aufgelöst, alles »Ständische und Stehende verdampft, alles Heilige« entweiht, konstatieren Marx und Engels im Kommunistischen Manifest. Die Protagonisten dieser Umwälzung sind die Bürger, die Kaufleute und Industriekapitäne. Die Figur des Bourgeois hat nicht nur Max Weber, Werner Sombart und Joseph Schumpeter fasziniert, sie spielt auch eine Hauptrolle in den großen Werken der Weltliteratur: bei Defoe und Goethe, Balzac und Dickens, bei Thomas Mann und...
Die industrielle Revolution hat keinen Stein auf dem anderen gelassen. Sie hat alle »altehrwürdigen Vorstellungen und Anschauungen« aufgelöst, all...