Toward the end of Henry James's career, Charles Scribner's Sons offered him the opportunity to publish his collected works in a single edition under the overall title The New York Edition of the Novels and Tales of Henry James (1907-1909). Rather than simply reprint his fictional oeuvre, James entered into a massive work of self-monumentalization: revising the texts extensively; writing prefaces that have become classic texts on prose aesthetics and the novelist's art; and omitting many works, among them some major novels. The thirty illustrations include all twenty-four...
Toward the end of Henry James's career, Charles Scribner's Sons offered him the opportunity to publish his collected works in a single edition unde...
Toward the end of Henry James's career, Charles Scribner's Sons offered him the opportunity to publish his collected works in a single edition under the overall title The New York Edition of the Novels and Tales of Henry James (1907-1909). Rather than simply reprint his fictional oeuvre, James entered into a massive work of self-monumentalization: revising the texts extensively; writing prefaces that have become classic texts on prose aesthetics and the novelist's art; and omitting many works, among them some major novels. The thirty illustrations include all twenty-four frontispiece...
Toward the end of Henry James's career, Charles Scribner's Sons offered him the opportunity to publish his collected works in a single edition under t...
Recent calls for a return to aesthetics occur precisely at a moment when it is increasingly evident that nothing concerning aesthetics is self-evident anymore. Determined to recover the value of aesthetic experience for artistic, cultural, and social analysis, the contributors to this volume--prominent scholars in literature, philosophy, art history, architecture, history, and anthropology--begin from a shared recognition that ideological readings of the aesthetic have provided invaluable insights, in particular, that analyses of aesthetics within historical and social contexts tell us a...
Recent calls for a return to aesthetics occur precisely at a moment when it is increasingly evident that nothing concerning aesthetics is self-evident...
Recent calls for a return to aesthetics occur precisely at a moment when it is increasingly evident that nothing concerning aesthetics is self-evident anymore. Determined to recover the value of aesthetic experience for artistic, cultural, and social analysis, the contributors to this volume--prominent scholars in literature, philosophy, art history, architecture, history, and anthropology--begin from a shared recognition that ideological readings of the aesthetic have provided invaluable insights, in particular, that analyses of aesthetics within historical and social contexts tell us a...
Recent calls for a return to aesthetics occur precisely at a moment when it is increasingly evident that nothing concerning aesthetics is self-evident...
