History in Transit comprises Dominick LaCapra's explorations of relationships he believes have been insufficiently theorized: between experience and identity, between history and various theories of subjectivity, between extreme events and their representation, between institutional structures and the kinds of knowledge produced within them. Taken together, these discussions form a dialogical encounter, positing the links among epistemological questions, historicist ones, and issues pertaining to disciplinary and institutional politics.
Reacting against the antitheoretical bias of some...
History in Transit comprises Dominick LaCapra's explorations of relationships he believes have been insufficiently theorized: between experience an...
The relations between memory and history have recently become a subject of contention, and the implications of that debate are particularly troubling for aesthetic, ethical and political issues. Dominick LaCapra focuses on the interactions among history, memory and ethicopolitical concerns as they emerge in the aftermath of the Shoah. Particularly notable are his analyses of Albert Camus's novella The Fall, Claude Lanzmann's film Shoah and Art Spiegelman's comic book Maus. LaCapra also considers the Historian's Debate in the aftermath of German reunification and the role of psychoanalysis in...
The relations between memory and history have recently become a subject of contention, and the implications of that debate are particularly troubling ...
History in Transit comprises Dominick LaCapra's explorations of relationships he believes have been insufficiently theorized: between experience and identity, between history and various theories of subjectivity, between extreme events and their representation, between institutional structures and the kinds of knowledge produced within them. Taken together, these discussions form a dialogical encounter, positing the links among epistemological questions, historicist ones, and issues pertaining to disciplinary and institutional politics.
Reacting against the antitheoretical...
History in Transit comprises Dominick LaCapra's explorations of relationships he believes have been insufficiently theorized: between expe...
"LaCapra offers an intriguing collection of essays to support both his enthusiasm for intellectual history . . . and his concern about the 'excesses' he finds in techniques and practices of the new social history. Admitting that the essays are polemical with a 'measure of exaggeration and a stylization of arguments, ' LaCapra seeks to restore the historian's appreciation for 'great' literature, the techniques of literary criticism, and the rhetoric that must be studied and analyzed to integrate this criticism into historical analysis. LaCapra calls for an engaged dialogue with the past on...
"LaCapra offers an intriguing collection of essays to support both his enthusiasm for intellectual history . . . and his concern about the 'excesses' ...
"The quality of this work is so high that it will challenge and reward even readers whose critical presuppositions diverge from those which LaCapra represents so provocatively." Richard Terdiman, University of California, Santa Cruz"LaCapra here writes cogently on the historicity of literature. His readings of texts are sensitive, controlled, and engagingly illuminating. In each and every instance, the specialized reader as well as the beginning student will find them rewarding." Wlad Godzich, Universite de Montreal"
"The quality of this work is so high that it will challenge and reward even readers whose critical presuppositions diverge from those which LaCapra re...
In this study Dominick LaCapra addresses the ongoing concern with the application of theory - namely that of literary studies and linguistics - to contemporary historical research and analysis. History and Reading is an attempt to address the concerns of those scholars who either resist theoretical discussions or disavow the use of interdisciplinary study.
LaCapra begins with an extensive discussion of the problem of reading and interpretation as it relates to the understanding of history. The focus then moves to two classic texts that serve as case studies: Alexis de Tocqueville's...
In this study Dominick LaCapra addresses the ongoing concern with the application of theory - namely that of literary studies and linguistics - to ...
In this study Dominick LaCapra addresses the ongoing concern with the application of theory - namely that of literary studies and linguistics - to contemporary historical research and analysis. History and Reading is an attempt to address the concerns of those scholars who either resist theoretical discussions or disavow the use of interdisciplinary study.
LaCapra begins with an extensive discussion of the problem of reading and interpretation as it relates to the understanding of history. The focus then moves to two classic texts that serve as case studies: Alexis de...
In this study Dominick LaCapra addresses the ongoing concern with the application of theory - namely that of literary studies and linguistics - to ...
Caroline Joan Picart David A. Frank Dominick LaCapra
Challenging the classic horror frame in American film
American filmmakers appropriate the look of horror in Holocaust films and often use Nazis and Holocaust imagery to explain evil in the world, say authors Caroline Joan (Kay) S. Picart and David A. Frank. In "Frames of Evil" "The Holocaust as Horror in American Film," Picart and Frank challenge this classic horror framethe narrative and visual borders used to demarcate monsters and the monstrous. After examining the way in which directors and producers of the most influential American Holocaust movies default to this Gothic frame,...
Challenging the classic horror frame in American film
American filmmakers appropriate the look of horror in Holocaust films and often use Nazis ...
Challenging the classic horror frame in American film
American filmmakers appropriate the look of horror in Holocaust films and often use Nazis and Holocaust imagery to explain evil in the world, say authors Caroline Joan (Kay) S. Picart and David A. Frank. In "Frames of Evil" "The Holocaust as Horror in American Film," Picart and Frank challenge this classic horror framethe narrative and visual borders used to demarcate monsters and the monstrous. After examining the way in which directors and producers of the most influential American Holocaust movies default to this Gothic frame,...
Challenging the classic horror frame in American film
American filmmakers appropriate the look of horror in Holocaust films and often use Nazis ...
Dominick LaCapra calls for a new view of intellectual history one that will revitalize the importance of reading and interpreting significant texts. In ten essays, he reformulates the problem of the relation between the "great" texts of the Western tradition and their contexts. Seeking to refine "context" into a concept useful to historical research, LaCapra urges intellectual historians to learn from lessons and developments in contemporary literary criticism and philosophy, fields that have undertaken a radical reassessment of the reading of texts."
Dominick LaCapra calls for a new view of intellectual history one that will revitalize the importance of reading and interpreting significant texts. I...
