A bestseller in 1933, and subsequently adapted into two beloved and controversial films, Imitation of Life has played a vital role in ongoing conversations about race, femininity, and the American Dream. Bea Pullman, a white single mother, and her African American maid, Delilah Johnston, also a single mother, rear their daughters together and become business partners. Combining Bea s business savvy with Delilah s irresistible southern recipes, they build an Aunt Jemima-like waffle business and an international restaurant empire. Yet their public success brings them little happiness....

Many of Fannie Hurst's stories are about working-class girls and guys struggling to survive in the big, crushing city. Between 1910 and the mid-1930s, Fannie Hurst was the most popular writer in America. Twenty-nine films were based on her novels and short stories. Star-Dust shows the relationship of a mother and her daughter as the central theme. Star-Dust was adapted to a movie which Hurst was displeased with.

The bestselling story behind Ross Hunter's classic melodrama starring Susan Hayward and John Gavin.
When fly girl and gorgeous socialite Ray Schmidt first meets Walter Saxel in Cincinnati, their attraction is instant and everlasting. As their bond deepens, Ray finds herself envisioning a future with Walter, until one fateful day when the settling of her family affairs interferes with their plans to meet, and his relationship with another woman forms. Though years pass and Ray manages to carve out a life for herself in New York City, Walter remains in her memory, and a chance run-in with...

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

IN the Knockerbeck Hotel there are various parlors; Pompeian rooms lined in marble and pillared in chaste fluted columns; Louis Quinze corners, gold-leafed and pink-brocaded, principally furnished with a spindly-legged Vernis-Martin cabinet and a large French clock in the form of a celestial sphere surmounted by a gold cupid. There are high-ceilinged rendezvous rooms, with six arm and two straight chairs chased after the manner of Gouthiere, and a series of small inlaid writing-desks, generously equipped for an avidious public to whom the crest-embossed stationery of a four-dollar-a-day-up...