A cutting-edge collection exploring identity-making in East Asia
This is an interdisciplinary study of the cultural politics of nationalism and national identities in modern East Asia. Combining theoretical insights with empirical research, it explores the cultural dimensions of nationhood and identity-making in China, Japan, Korea, Hong Kong, and Taiwan. The essays address issues ranging from the complex relations between popular culture and national consciousness to the representation of ethnic/racial identity and gendered discourse on nationalism. The cutting-edge research on the...

The Cinema of Hong Kong examines one of the most popular and dynamic cinema traditions in the history of film. Providing an overview of major directors, genres and stars, from its origins to the present, this volume examines Hong Kong cinema in transnational, historical, and artistic contexts. Individual essays focus on Hong Kong cinema before and during World War II; the cinema of the turbulent 1960s; its rise to world prominence in the 1970s and its reception in the United States, and the revival of Cantonese cinema, among other topics.

The Cinema of Hong Kong examines one of the most popular and dynamic cinema traditions in the history of film. Providing an overview of major directors, genres and stars, from its origins to the present, this volume examines Hong Kong cinema in transnational, historical, and artistic contexts. Individual essays focus on Hong Kong cinema before and during World War II; the cinema of the turbulent 1960s; its rise to world prominence in the 1970s and its reception in the United States, and the revival of Cantonese cinema, among other topics.

Focusing on the responses of writers in Shanghai to the Japanese occupation, this book corrects the postwar conception of occupied China as a field of conflict between selfless resisters and shameless collaborators by showing a complexity and ambiguity of moral choices that defies such stereotyping.

Based on meticulous archival research and a repetorary of rare films, most of which were believed lost, this book is a pioneering critical study of the Chinese cinemas in Hong Kong and Shanghai and their complex interconnections. The years 1935-50 were a period of ceaseless violence in China, of war, occupation, civil war, and colonialism, leading to mass displacements of millions of people and extreme poverty. Both the cinema and the broader popular culture of this period have been little studied, partly because access to research materials is so difficult, partly because of the political...

Based on meticulous archival research and a repetorary of rare films, most of which were believed lost, this book is a pioneering critical study of the Chinese cinemas in Hong Kong and Shanghai and their complex interconnections. The years 1935-50 were a period of ceaseless violence in China, of war, occupation, civil war, and colonialism, leading to mass displacements of millions of people and extreme poverty. Both the cinema and the broader popular culture of this period have been little studied, partly because access to research materials is so difficult, partly because of the political...