In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizing screen performance within the context of visual and special effects cinema and technological change in Hollywood filmmaking, through the silent, early sound, and current digital eras.
Making Believe incorporates North American film reviews and editorials, actor and crew...
In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with othe...
In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizing screen performance within the context of visual and special effects cinema and technological change in Hollywood filmmaking, through the silent, early sound, and current digital eras.
Making Believe incorporates North American film reviews and editorials, actor and crew...
In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with othe...
