for SABar and piano
This sensitive, authentic arrangement of a well-known Yiddish folksong introduces singers to the harmonic characteristics of Yiddish music. Clapping and body percussion is employed to great effect, and a pronunciation guide and English translation are included, along with a brief contextual note.

for SABar and piano
Suitable for concert use, this simple, delightful setting of a Yeats poem embraces nature's beauty and the secret joy of solitude. Soaring melodies, rich harmonic language, and a piano part that is both driving and supportive create a piece that is evocative and poignant. Also available in versions for SSA and piano and TTB and piano.

for SABar unaccompanied
The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. Sarah Quartel's arrangement features close harmonies, idiomatic Scotch snap rhythms, and effective interjectory moments in what is a largely homophonic setting. The arrangement was made for the composer’s friend Matt Jones, who served with the Canadian Military in Afghanistan in 2010-2011; his deployment and eventual safe return inspired the setting of the piece. With its
valedictory message, The Parting Glass would make a fitting end to a performance, perhaps...

for SABar and piano
Higgins' setting of this popular folk song is simple and wistful, particularly well-suited for children's and youth choirs. With delicate quaver flourishes, the piano accompaniment flows gently alongside the vocal lines, creating suspensions that reflect the mysterious demands of the narrator. Also available in a version for SSA and piano.

for SABar and piano
Michael Higgins' arrangement of How can I keep from singing? is a calm and flowing reimagination of Robert Lowry's well-known melody. The harmonically rich piano accompaniment supports the choir as it explores different textures in each verse. Flexibly arranged, with options for an unaccompanied section and descant, this piece will appeal to community, school, and church choirs alike.

for SABar and piano
In this beautiful setting of words by the composer, based on a quote by Brian Palmer, singers are encouraged to listen to the sounds and people around them in order to learn and grow: 'one act of love, I know, for sure, is to listen.' The memorable melodies are accompanied by a simple and supportive rippling piano accompaniment. Also available in a version for upper-voice choir.

for SABar and piano
This engaging, upbeat work sets a text by the Malaysian singer Bihzhu celebrating the collective excitement in exploring the unknown. Fly! features a contemporary, pop-inspired melody and a fun, syncopated scat motif in the lower part. The supportive piano accompaniment brings a hint of the Malaysian soundworld through its use of fourths, and minimal divisi in the vocal writing makes the piece accessible to a broad range of choirs.
Also available in a version for upper-voices.

for SABar and hand-claps
Heart of Earth sets excerpts of poetry by Laura Purdie Salas that are rich in vivid descriptions of the natural world. Rajasekar was attracted to these texts by the way in which they relate to her home state of Minnesota, as well as places all around the world. The simple melodic lines are embellished with cross-rhythms and vocal scoops. The hand-clapping patterns are intended to be reminiscent of childhood, and a video guide to these, filmed by the composer, is available on the companion website www.oup.com/HeartofEarth. This piece was commissioned and premiered by...

for SABar and piano
Presented here in an arrangement for SABar voices, this setting of words by Chief Dan George optimistically reminds us that there is still beauty to be found in times of trouble and that difficult days will not last forever. Quartel sensitively balances the vocal lines and uses triplets against duplets to give a sense of fluidity to the melodic phrasing.
Also available in an arrangement for SSA and piano.

for SABar and piano
A moving, traditional Irish blessing set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text, and weaves a memorable melody, which he clothes in rich harmony.
Also available in versions for SATB, upper voices, and unison voices.