Ives' life (1874-1955) spanned two centuries; he grew up in the nineteenth and composed chiefly in the twentieth. His nostalgia for a simpler life in the New England town of his youth is revealed in his frequent musical quotation of songs of that earlier time: parlor and patriotic songs, hymns and gospel music that he learned from his father, a village bandmaster, and the most important influence on his life and music. This book clarifies the complexity of the man and his music--music that is uniquely autobiographical and that itself illuminates the narrative.

Franz Schubert's tragically short life was lived in one of Europe's most richly musical cities: a Vienna that worshipped Beethoven and where Rossini and Paganini drew crowds. Christopher Gibbs considers how and what Schubert composed, taking a fresh look at this misunderstood composer, particularly the unfolding of his professional career, his relationship to Beethoven, the growth of his reputation and public image and his darker side of drinking, depression and sexual ambiguity. This searching and sympathetic biography questions the customary sentimental cliches and the recent revisionist...

Ives' life (1874-1955) spanned two centuries; he grew up in the nineteenth and composed chiefly in the twentieth. His nostalgia for a simpler life in the New England town of his youth is revealed in his frequent musical quotation of songs of that earlier time: parlor and patriotic songs, hymns and gospel music that he learned from his father, a village bandmaster, and the most important influence on his life and music. This book clarifies the complexity of the man and his music--music that is uniquely autobiographical and that itself illuminates the narrative.

Olivier Messiaen stands as one of the most influential composers of the twentieth century and among the foremost religious artists of any era. When he died in 1992, the prevailing image was of a deeply religious man whose only sources of inspiration were God and Nature, and of a composer whose music progressed along an entirely individual path, impervious to contemporaneous events and the whims both of his fellow artists and the critics. The Life of Messiaen paints a more nuanced picture of the man and the musician, peering behind Messiaen??'s public persona to examine the private...

Olivier Messiaen stands as one of the most influential composers of the twentieth century and among the foremost religious artists of any era. When he died in 1992, the prevailing image was of a deeply religious man whose only sources of inspiration were God and Nature, and of a composer whose music progressed along an entirely individual path, impervious to contemporaneous events and the whims both of his fellow artists and the critics. The Life of Messiaen paints a more nuanced picture of the man and the musician, peering behind Messiaen's public persona to examine the private difficulties...

This biography of composer and pianist Felix Mendelssohn traces his development from musical child prodigy to a conductor whose influence as an advocate of Bach, Mozart, and Beethoven is still felt to this day. A great deal of attention is paid to Mendelssohn's early nineteenth-century cultural surroundings and the book includes interpretation and discussion of major works, without use of musical examples or technical language, placing them within the context of his personal and public life. This is the first new biography of Mendelssohn to appear in some seventeen years.

Verdi's long life spanned Napoleonic rule and the age of broadcasting. In this new biography, John Rosselli considers a boldly innovative artist whose twenty-eight operas still speak to us. He investigates Verdi's businesslike running of a landed estate as well as a highly successful career, and looks into his complex relationships with two women singers: his second wife Giuseppina Strepponi and his probable lover Teresa Stolz. At the same time Roselli reinterprets the operas with novel insights showing us why Verdi still fills theaters and rouses enthusiasm.

This new biography of Elgar draws on letters and documents which have become available over the last twenty-five years. Michael Kennedy, a leading scholar of British music as well as a distinguished musical biographer, uses the new material (including Elgar's vast personal correspondence) to analyze the composer's complex personality. Elgar's letters reveal his unpredictable swings of mood, from gaiety and a fondness for puns to morose self-pity and a feeling that he was "not wanted."

Like Shakespeare, J.S. Bach is known largely by his works. Peter Williams asks many questions in this examination of the man as well as the composer. What was Bach like as a youth, father, and, eventually, church elder? What music did he know and how did he compose and perform such an amazing amount? Ultimately, Williams questions the effects of unremitting acclaim on objective evaluations of J.S. Bach.

Presenting a fresh picture of the life and work of Joseph Haydn, this biography captures all the complexities and contradictions of the composer's long career. In his lifetime Haydn achieved a degree of fame that easily surpassed that of Mozart and Beethoven. Later his historical significance was more restricted, regarded exclusively as the composer who first recognised the potential of the symphony and the quartet. However, Haydn had also composed operas, oratorios and church music with similar enthusiasm and self-regard. Too easily buttonholed as a Viennese composer, he interacted...