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Özlem Altin (geb. 1977 in Goch, lebt und arbeitet in Berlin) untersucht das Beziehungsgefüge von Fotografie, Archiv und Körper. Für ihre Arbeiten bezieht sich Altin auf eine fotografische Bildersammlung, die sie über viele Jahre hinweg zusammengetragen hat. Sie kombiniert gefundene mit eigenen Fotografien und Malereien zu dichten Kompositionen. 

Einige Motive, die emotionalen Widerhall finden - die Maske, die Meerjungfrau, der Reiher -, sind wiederkehrende Symbole und verkörpern einen Zustand des Dazwischenseins. Altin lädt die...

Displacement does not only have an effect on groups' and individuals' ways of relating to their identity and their past but the knowledge and experience of it also has an impact on its representation. Looking at films that represent the experience of displacement in relation to Turkey's minorities, Aesthetics of Displacement argues that there is a particular aesthetic continuity among the otherwise unrelated films. Ozlem Koksal focuses on films that bring taboo issues concerning the repression of minorities into visibility, arguing that the changing political and social conditions...

This book analyzes Istanbul's bus rapid transit, the metrobus, as an encountering space to unfold the perception and practice of togetherness. Based on field research with regular metrobus passengers, the book presents a layered analysis between everyday life, everyday mobility, and togetherness to emphasize the metropolitan impact on the socio-spatial experience and subjectification. By articulating Lefebvrian social space in a metropolitan context, the book discusses that Istanbul's spatially and temporally framed everydayness leads inhabitants to the need for bus rapid transit. On the...

Displacement does not only have an effect on groups' and individuals' ways of relating to their identity and their past but the knowledge and experience of it also has an impact on its representation. Looking at films that represent the experience of displacement in relation to Turkey's minorities, Aesthetics of Displacement argues that there is a particular aesthetic continuity among the otherwise unrelated films. Ozlem Koksal focuses on films that bring taboo issues concerning the repression of minorities into visibility, arguing that the changing political and social conditions...