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"New Readings in British Drama: From the Post-War Period to the Contemporary Era" oers new readings of British plays produced after the Second World War by underlining the fact that literary theories have never been stagnant and exhausted in the eld of drama as part of literary studies. Scholarly editions focusing exclusively on contemporary drama and its critical readings are still a rarity, as contemporary literary scholars tend to neglect drama in favour of ction. erefore, our contributors have attempted to examine the works of Tom Stoppard, Caryl Churchill, Sarah Kane, Roy...